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DOG'S BEST FRIEND

ANNALS OF THE DOG-HUMAN RELATIONSHIP

A sweeping, lapidary history of our relationship with dogs from Derr (The Frontiersman, 1993, etc.). A fan of the dog for many years, Derr set out to write a cultural history of the dog-human nexus, one that touched on the emotional, intellectual, and physical aspects, the good, bad, and ugly ways we go about communing with the beasts. He succeeds admirably. In easy prose, he melds all manner of things canine into an entertaining story: the first encounters, eons back, with the quick, rough brutes that scavenged at Paleolithic campsites (laugh, if you will, at dog cemeteries, but the Basketmaker culture of 12,000 years ago mummified their dogs); through the slow social, cultural, and morphological shifts away from wolf to dog; on to the many hats that dogs have historically worn: sentinels and hunters, draft animals and guides, entertainers and companions, and, occasionally, main course at the family dinner table. Derr suggests that ``the single greatest problem with dogs is people,'' and he goes on to chronicle the misdeeds, from plain old abuse and neglect to the use of dogs to terrorize populations to the nasty little sport of dogfighting. Derr adeptly eviscerates the practice of show breeding, with its attendant genetic disorders and woeful tinkerings with temperament (a subject he first broached in an article in the Atlantic Monthly). Plaited through the story are anecdotes from mushers, ranchers, hunters (particularly good material on the feists and curs of the American South), shepherds, and from his own long association with dogs. What manifests itself here, brightly, is Derr's unquestionable affection for Canis lupus familiaris. It is a love song, a celebration, and a well-told tale. (photos and illustrations, not seen)

Pub Date: June 1, 1997

ISBN: 0-8050-4063-3

Page Count: 400

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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