by Mark Derr ‧ RELEASE DATE: Aug. 1, 1993
A well-researched if not particularly incisive life of the legendary Tennessee backwoodsman, politician, and Alamo martyr that examines his achievements and changing public image through the years. Derr (Some Kind of Paradise, 1989—not reviewed), a distant cousin of Crockett's, treats his subject sympathetically while separating the man from the tall tales. Crockett drank and gambled, Derr tells us, though not as much as charged by foes, and, through two ghostwritten memoirs, he became ``an increasingly self- confident manipulator of his public image''—a mixed blessing for his reputation, since, in emphasizing his humble origins, he so exaggerated his lack of education that many wrongly assumed that he was illiterate. As a congressman, Crockett was an eloquent advocate for the poor, and his greatest act of political courage—denouncing the removal of Indians to west of the Mississippi—caused him to split with Andrew Jackson and thus to destroy his political career. Yet it's clear from Derr's telling that, no matter how likable Crockett was, he never achieved much of substance. Throughout his life, he broke with strong men—notably, his alcoholic father and Jackson—only to switch time and again to other authority figures. He got campaign money from his second wife rather than from his own efforts, and, as a legislator, he was in over his head, often reversing positions on bills and seldom willing to compromise. He inflated his record in the War of 1812, and contemporary accounts indicate that he surrendered at the Alamo before being tortured and killed. But Crockett's image has been adaptable enough to survive through succeeding ages: first, as a ``comic Hercules'' and racist hater of Indians and slaves; then, in the 50's Disney series, as an exemplar of resistance to tyranny; and, more recently, as a New Age child of nature. Objective and cleareyed, but unwilling to press some of the harder conclusions about Crockett warranted by the historical record. (Maps, eight pages of b&w photos—not seen)
Pub Date: Aug. 1, 1993
ISBN: 0-688-09656-5
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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