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THE FRONTIERSMAN

THE REAL LIFE AND THE MANY LEGENDS OF DAVY CROCKETT

A well-researched if not particularly incisive life of the legendary Tennessee backwoodsman, politician, and Alamo martyr that examines his achievements and changing public image through the years. Derr (Some Kind of Paradise, 1989—not reviewed), a distant cousin of Crockett's, treats his subject sympathetically while separating the man from the tall tales. Crockett drank and gambled, Derr tells us, though not as much as charged by foes, and, through two ghostwritten memoirs, he became ``an increasingly self- confident manipulator of his public image''—a mixed blessing for his reputation, since, in emphasizing his humble origins, he so exaggerated his lack of education that many wrongly assumed that he was illiterate. As a congressman, Crockett was an eloquent advocate for the poor, and his greatest act of political courage—denouncing the removal of Indians to west of the Mississippi—caused him to split with Andrew Jackson and thus to destroy his political career. Yet it's clear from Derr's telling that, no matter how likable Crockett was, he never achieved much of substance. Throughout his life, he broke with strong men—notably, his alcoholic father and Jackson—only to switch time and again to other authority figures. He got campaign money from his second wife rather than from his own efforts, and, as a legislator, he was in over his head, often reversing positions on bills and seldom willing to compromise. He inflated his record in the War of 1812, and contemporary accounts indicate that he surrendered at the Alamo before being tortured and killed. But Crockett's image has been adaptable enough to survive through succeeding ages: first, as a ``comic Hercules'' and racist hater of Indians and slaves; then, in the 50's Disney series, as an exemplar of resistance to tyranny; and, more recently, as a New Age child of nature. Objective and cleareyed, but unwilling to press some of the harder conclusions about Crockett warranted by the historical record. (Maps, eight pages of b&w photos—not seen)

Pub Date: Aug. 1, 1993

ISBN: 0-688-09656-5

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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