by Mark Edmundson ‧ RELEASE DATE: Aug. 13, 2002
A small treasure, both Edmundson’s portrait of Lears and his high-relief, visceral snapshot of Medford.
The wry and affecting story of the teacher who got under the author’s skin and pointed his life in a new direction, much for the better.
Frank Lears materialized at Medford (Massachusetts) High School in the autumn of 1969 and poured a little Socratic juice into the lives of his students, Edmundson (Nightmare on Main Street, 1997, etc.) being one of those lucky enough to soak some of it up. Drawing an exquisite picture of the stark social dynamics in working-class Medford (his grandmother, a chambermaid who cleaned rooms at Radcliffe, was sometimes given unwanted clothing by the students and referred to it as shopping at Cumlaude), Edmundson remembers that the students lived to torment their teachers and strove to “turn everyday life into a species of our favorite diversion, television.” Edmundson highlights what a freak Lears was: He disdained the students’ bear-baiting while managing to open doors for them; he never curried their favor, though he always listened to their rare utterances intently, utterances that increased slowly throughout the year. A product of the late-’60s Harvard, Lears dealt from a whole new deck, encouraging his students to think, to take up a distanced position from their tribal beliefs to give them an unconventional look, to shape a personality and a distinct vision. Edmundson appreciates that the age was ripe for such a transformation. Yet he is still filled with admiration that a teacher was willing to point his students toward Kesey and Ginsberg and Malcolm X and then convey to them somehow that they must each find their own way, staying true to themselves, however full of danger such projects might be. As a teacher of English at the University of Virginia, the author measures himself against an impressive standard.
A small treasure, both Edmundson’s portrait of Lears and his high-relief, visceral snapshot of Medford.Pub Date: Aug. 13, 2002
ISBN: 0-375-50407-9
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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