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MISTRIAL

Name: MISTRIAL
Author: Mark Geragos
ISBN: 978-1-59240-772-9

AN INSIDE LOOK AT HOW THE CRIMINAL JUSTICE SYSTEM WORKS...AND SOMETIMES DOESN'T

by Mark Geragos ; Pat Harris ‧ RELEASE DATE: April 11, 2013

A no-holds-barred indictment of the system, filled with memorable anecdotes and accessibly written.

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Two high-profile defense lawyers pull back the curtain on the U.S. criminal justice system and find much to criticize.

Geragos and Harris are law partners in Los Angeles who have represented famous clients such as Michael Jackson, Mike Tyson, Winona Ryder and Chris Brown. They have also represented noncelebrities who became well-known because of the crimes they allegedly committed—e.g., Scott Peterson, Gary Condit and Susan McDougal. The authors use portions of the book to suggest that Peterson and other clients found guilty are probably innocent. These sections occasionally come across as self-serving, although Geragos and Harris offer little-known details that, at the very least, signal reasonable doubt. The heart of the book, however, is an indictment of the criminal justice system in general: how it is skewed in favor of prosecutors, how prosecutors add to their built-in advantage by employing improper tactics, how police routinely lie during trials to remove perceived criminals from the streets regardless of guilt or innocence, how too many judges rule with re-election in mind instead of serving justice, how jurors are predisposed to believe before hearing evidence that any defendant is guilty simply because he or she has been charged with a crime, how inflammatory TV and blog commentators sabotage truth and how even mainstream media organizations fail to provide balanced news coverage. Geragos and Harris offer solutions, some of which have been adopted in specific jurisdictions but most of which are politically unpopular. Perhaps the most surprising suggested reform is to develop a group of professional jurors who would use their accumulated knowledge gained during multiple trials to better evaluate evidence, especially in complex cases.

A no-holds-barred indictment of the system, filled with memorable anecdotes and accessibly written.

Pub Date: April 11, 2013

ISBN: 978-1-59240-772-9

Page Count: 304

Publisher: Gotham Books

Review Posted Online: Jan. 29, 2013

Kirkus Reviews Issue: Feb. 15, 2013

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.