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MATTERS OF PRINCIPLE

AMERICA'S REJECTION OF THE BORK NOMINATION

Here, the former Chief Counsel to the Senate Judiciary Committee contends, not always plausibly, that the Senate's 1987 rejection of Supreme Court nominee Robert Bork was a principled rebuff by the American people of a jurisprudential radical. In explaining his judicial philosophy in The Tempting of America (1990), Bork contended that the Senate's rejection of his candidacy for the Supreme Court illustrated the deplorable politicization of America's legal system. He also argued that his theory of ``original intent''—that is, that judges should construe the Constitution and especially the Bill of Rights narrowly and in accordance with the perceived intent of the original draftsmen of these texts, and without finding unenumerated rights in them—is the only legitimate interpretive framework. Gitenstein does little to dispel Bork's charge of politicization: His vivid descriptions of Sen. Joseph Biden's meetings with media and liberal-interest groups demonstrate plainly the nomination-process's political dimension. But he makes an arresting case that Bork's philosophy of originalism radically departs from the jurisprudential mainstream and that, if accepted by the full Court, it would have resulted in the repudiation of a half century of case law in the areas of civil rights, privacy, voting rights, and other fields. Gitenstein is less persuasive when he appears to argue, frequently citing opinion polls, that Bork's defeat was the result, not of a partisan political campaign, but of a considered judgment by the American people of Bork's judicial philosophy. He asserts finally that although the Senate was unable to prevent the creation of a conservative majority on the Supreme Court in the wake of Bork's defeat, the post-Bork Court is considerably more solicitous of ``unenumerated rights'' of individuals than if Bork were on the Court. Historically valuable as a politically partial account of the Bork nomination, but inadequate as an examination of Bork's jurisprudence.

Pub Date: Oct. 1, 1992

ISBN: 0-671-67424-2

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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