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WITHOUT JENNY

A moving account of love and mourning.

A couple, devastated by the sudden loss of their young daughter, search for a reprieve from their grief. 

Joy Rosenberg has an enviable if ordinary life—she has a devoted and successful husband, a fulfilling career as a designer, and two beautiful children. Her storybook world shatters, though, when her 10-year-old daughter, Jenny, suddenly dies in a freak accident. Friends and family close ranks to provide support, but their compassion can be suffocating. In one scene beautifully drawn by debut author Gunther, a neighbor barges into the house insisting she cook the Rosenbergs an elaborate meal and takes umbrage when told her unannounced visit is an intrusion. Guilt overwhelms Joy—Jenny died alone in her car while her mother quickly ran to an ATM. And even years afterward, she struggles with a return to the quotidian—her husband, Danny, immerses himself so fully in his work his “grief was becoming indiscernible.” Meanwhile, she still makes daily “pilgrimages” to Jenny’s now unoccupied room, a torturous rite of anguish. She turns to the distractions of yoga and work, accompanies Danny to a support group meeting, and solicits guidance and consolation from Judaism, all to no avail. Eventually, her marriage falters under the weight of their loss, and she’s tormented by the impact the tragedy will have on her son, Jake, who was 6 when Jenny died. Gunther powerfully depicts Joy’s despair and her inconsolability despite outpourings of love and support. The story is achingly sad, but the author manages to interject wry humor into its darkness: “I feel like the eternal battle between good and evil is going on inside me, like I can change the future of the universe. And I have to do the laundry?” Here and there, editorial markings remain within the manuscript, which can obscure the text and lead to confusion. Nonetheless, this is an unflinching exploration of heartache in its most extreme expression. 

A moving account of love and mourning.

Pub Date: April 20, 2018

ISBN: 978-1-63393-546-4

Page Count: 232

Publisher: Koehler Books

Review Posted Online: Sept. 11, 2018

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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