Series addict? Go right ahead. You know you want to.
Fifth in Hodder’s steampunk series (The Secret of Abdu El Yezdi, 2013, etc.) starring Victorian explorer/translator Sir Richard Burton and his improbable sidekick, the poet Algernon Charles Swinburne.
Series regulars will acknowledge that the books don't stand alone. So, recall that everything began with the assassination of Queen Victoria by Edward Oxford, an insane time traveler from the 23rd century. This resulted in an alternate history in which scientist Charles Babbage and engineer Isambard Kingdom Brunel spurred an industrial revolution that led to a devastating world war in the future of every timeline. Babbage, Brunel (now resident in a bizarre robot body), Burton and Swinburne have been searching desperately for a way to avert the war. This time, at precisely 9 p.m. on Feb. 15, 1860, as Babbage performs a critical experiment on the time traveler’s suit recovered in a previous episode, red snow falls over London as Burton and Swinburne make their way to a meeting of the Cannibal Club, and Spring Heeled Jack appears out of thin air, shrieking insanely and attacking Burton. Soon, dozens more Jacks, all dangerously demented, appear in locations where Burton is likely to be found. Burton, meanwhile, resorts to Saltzman’s tincture, a decoction that brings him bewildering visions of parallel realities and futures yet to be—including one where Burton finds himself in the 23rd century, occupying the brain and body of the decidedly sane genius known as Edward Oxford! Alert readers will note that Hodder’s time-travel rationale buckles under the pressure of the plot’s requirements, but it doesn’t matter: There’s more than enough adventure, intrigue, invention, fun and engagement to satisfy everybody—at least, those with some idea of what to expect.
Series addict? Go right ahead. You know you want to.Pub Date: July 8, 2014
ISBN: 978-1-61614-905-5
Page Count: 370
Publisher: Pyr/Prometheus Books
Review Posted Online: June 4, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
For those who like their science fiction dense, monumental, and a bit overwrought.
Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.
This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.
For those who like their science fiction dense, monumental, and a bit overwrought.Pub Date: Jan. 16, 2018
ISBN: 978-0-425-28591-6
Page Count: 624
Publisher: Random House
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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