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UNSUNG HEROES OF AMERICAN INDUSTRY

STORIES

When Poirier drops the cleverness, he can delve powerfully into characters dangerously out of touch with themselves.

On the heels of his first novel (Goats, 2001), Poirier returns with a second story collection (after Naked Pueblo, 1999) centered, as the title implies, on offbeat entrepreneurs and their descendants.

In “Buttons,” the docent at a small-town museum depicting the history of the Badde family’s business tells visitors about Zilo Badde IV, a nerdy geek with a large sexual appetite who competes with twin Tommy for their grandfather’s affection. The brothers create a brief supermarket sensation with F’neggs, prepackaged eggs, but ultimately Zilo IV fails in both business and love. “A Note on the Type” also features an unpleasant young protagonist: Simon lives with his socially ostracized maiden aunt to save money, but it becomes apparent that he is as much of a misfit as she is. In “Gators,” narrator Vaughn’s obsession with Durina, a teenaged girl he tutors, lies just on the safe side of erotic. Durina’s mother sells alligator skins to shoe designers, and Durina plans to go to New York to try her hand at designing. Vaughn dreams of helping her and is crushed when she doesn’t need him. “Pageantry” adds little to our understanding of the beauty contest industry. A young girl pretends she participates only to please her disfigured mother, but we know better. Finest of the five stories in this thin volume is the beautiful, deeply sad “Worms.” Here, Poirier allows its central character to show humanity within his eccentricity. Raised by an aunt after a freak car accident killed his immediate family, Billy Hair is a simple country boy. He meets his future wife Dora, a reporter, when she interviews him about his worm farm, produced by “a wonderful accident” when he flooded the manure pasture. Billy and Dora, a Vassar-educated WASP, make a wildly improbable yet charming couple. But after their child accidentally drowns, their marriage collapses.

When Poirier drops the cleverness, he can delve powerfully into characters dangerously out of touch with themselves.

Pub Date: March 1, 2001

ISBN: 0-7868-6827-9

Page Count: 144

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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A PERMANENT MEMBER OF THE FAMILY

Old-fashioned short fiction: honest, probing and moving.

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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