by Mark Kreidler ‧ RELEASE DATE: Sept. 6, 2011
ESPN: The Magazine sportswriter Kreidler (Six Good Innings: How One Small Town Became a Little League Giant, 2008, etc.) goes inside the sport and business of big-wave surfing, covering the 2010 Maverick’s Surf Contest on the coast of Northern California.
Maverick’s is a geologic anomaly. About 20 feet below the surface is a ski ramp-like reef that gathers waves and brings them to a height of 50 or 60 feet, with enormous concentrated energy. Very few surfers in the world are skilled enough to ride such waves. A self-described “big dysfunctional family,” these big-wave surfers—with names like Twiggy Baker and Flea Virostko—will drop everything at a moment’s notice and go anywhere in the world where the waves are good. Maverick’s is perhaps the best of these surf points. Surfers had always come to Maverick’s informally, for only the thrill and calculated risk of the ride. However, Jeff Clark, the first to ride Maverick’s “liquid mountains” and generally acknowledged expert and guardian of the point, came up with the idea of a real contest with real money. He partnered with entrepreneur Keir Beadling, a marriage hardly made in heaven. While Beadling saw Maverick’s as a brand, Clark insisted that it was the wave and the camaraderie that still mattered most. Only for a few short winter months might the waves be adequate for a true contest; if the waves weren’t there, Clark could and would cancel the event. This made life difficult for Beadling in securing sponsors and underwriters, and the two soon parted ways. But the 2010 contest did occur, not without incident as waves wiped out the beach and the spectators and vendors gathered there. Kreidler expertly captures the personalities, flaws and strengths of the riders who challenged Maverick’s, and with laser-like prose describes what it is like to face such a possibly lethal challenge. He also provides a telling examination of what can go wrong when an untamed sport becomes the handmaiden of commerce. A finely crafted tale of the enigmatic world of big-wave surfers.
Pub Date: Sept. 6, 2011
ISBN: 978-0-393-06535-0
Page Count: 256
Publisher: Norton
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Bonnie Tsui
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by Bonnie Tsui ; illustrated by Sophie Diao
BOOK REVIEW
by Bonnie Tsui
by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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