Alternately inspiring and disheartening—a solid work of cross-cultural analysis.

HEAVY METAL ISLAM

ROCK, RESISTANCE, AND THE STRUGGLE FOR THE SOUL OF ISLAM

Heavy metal embodies the rage of young people in rigidly controlled Muslim societies, offering a surprising message of hope and solidarity that contrasts sharply with its reputation.

That’s the conclusion of Levine (Middle Eastern History/Univ. of California, Irvine; An Impossible Peace: Oslo and the Burdens of History, 2007, etc.), who traveled extensively in the world’s major Muslim countries interviewing members of the unique but growing subculture of metalheads. His stories reveal that in several countries where death and violence have become commonplace, music with morbid, violent themes can provide an outlet for negative emotions and a potential avenue for cultural critique from within. The Jewish-American author used his proficiency in Arabic and hard-rock guitar to maximum advantage during his many encounters with metalheads from Palestine to Pakistan. Each chapter features a different country from the Middle East or North Africa, encompassing a wide range of political and religious opinions. Despite the many cultural differences of their respective countries, metal movements throughout the Muslim world share a few key characteristics. Because metalheads risk harassment, imprisonment and police brutality simply for playing and disseminating the music, their concerts, festivals and recordings remain largely underground, sustained by bootleg copies and clandestine jam sessions. Beyond the book’s obvious appeal to metal lovers and hard-rock musicians, it’s useful to a much broader Western audience because it depicts creative, internal resistance to some of the most oppressive regimes within the Muslim world. It also promotes talented but obscure musicians. Given the complexities of a Middle Eastern cultural survey, Levine can only skim the surface of alternative music’s position within Muslim countries. His background explanations are often patchy, his prose duller than the subject matter would suggest, but the project extends beyond mere description to a kind of empathetic activism.

Alternately inspiring and disheartening—a solid work of cross-cultural analysis.

Pub Date: July 15, 2008

ISBN: 978-0-307-35339-9

Page Count: 320

Publisher: Three Rivers/Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2008

Did you like this book?

No Comments Yet

ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

Did you like this book?

No Comments Yet

Not an easy read but an essential one.

Reader Votes

  • Readers Vote
  • 21

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

Did you like this book?

more