After the loopy pyrotechnics of My Cousin, My Gastroenterologist (1991) and the gleeful dissection of celebrity in Et Tu, Babe (1992), what's left for postmodern Savoyard Leyner to do but shelve stories and novels and turn to the theater? That's what he does, sort of, in this new collection of pieces, many of which previously appeared in such magazines as the New Yorker and Esquire Gentleman. Inserting Mark, his manic fictional doppelgÑnger, into the surreal dramaturgy, Leyner concocts a range of scenarios to explore shopping, anti-Semitism, parenting, fame, poetry, and dates with English royalty. In ``Young Bergdorf Goodman Brown,'' Leyner updates Hawthorne's ``Young Goodman Brown'' by sending Mark through the Manhattan department store's vast network of sub-basements in search of an Armani pocketbook for his daughter's Haute Barbie; before it's over, he's unearthed a 40-year-old military collusion between Israel and a race of extraterrestrials (``the Protocols of the Elders of Zion as rewritten by Whitley Strieber''). For stories not set up like plays, Leyner offers advice to sartorially challenged bodybuilders (``Hulk Couture''), discusses secret Senate tattooing rituals (``The [Illustrated] Body Politic''), suggests more rigorous standards for the selection of Miss America (``Dream Girls, USA''), recommends ways for tenderfoot fathers to retain their masculinity while using their newborns as martial-arts weapons (``Dangerous Dads''), and proposes a means of sneaking product placements into the great books (``Eat at Cosmo's''). But it's the account of writing a 1000-line poem for a German periodical while holed up in Hollywood's Chateau Marmont (``The Making of Tooth Imprints on a Corn Dog'') that really stops the show; here Mark composes ``the gorgeous cadenzas I whistle as I clean the Augean stables of contemporary literature.'' Others imitate Leyner's zany style, but none wield it as skillfully. Or with such maturity. (Author tour)
Pub Date: March 1, 1995
ISBN: 0-517-59384-X
Page Count: 224
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lightman, a teacher of physics and writing at MIT, evokes the musings of Albert Einstein in this playful, unusual first work of fiction. It is six in the morning, and a sleepy young Einstein slumps at his desk in the patent office, dreaming of the nature of time. Time has been on Einstein's mind a lot lately, and he's become adept at envisioning each of many theories in concrete, three- dimensional form. While Einstein sleeps, Lightman takes the reader through the young genius's imagined worlds, evoking cities in which time is cyclical and citizens are doomed to repeat their triumphs and mistakes eternally; in which people routinely get caught in wandering tributaries of time and are washed back into the past; in which time is believed to flow more slowly at higher altitudes so that all humans, in order to live longer, build their houses on mountaintops; in which there is no connection between cause and effect and people live a carefree existence in each separate moment, and in which it is possible to stop time and live forever within a favorite instant. Occasionally, Einstein wakes up, goes home, dines with a friend, or stares blankly off into the distance, but the focus here is not on his personal life. Instead, with these brief, light vignettes, Lightman offers a glimpse into strange theoretical kingdoms—and also lets the reader in on the workings of a creative scientific mind. Cheerful fantasies, balanced exquisitely between poetry and the popular physics essay. (First serial to Granta and Harper's.)
Pub Date: Jan. 1, 1993
ISBN: 0-679-41646-3
Page Count: 136
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
I loved it — and to my mind — it fits admirably an immediate need in our season's lists, — the need for a richly patterned story spun out of another layer of that peculiar underworld with which Steinbeck is at his best. Once again, as in Tortilla Flat, he makes no effort to stress "social significance". To be sure, one can strain at his underlying meanings and say that such people should not exist in today's plenty — but no one can argue that they wouldn't exist again tomorrow if eliminated today. Flotsam and jetsam of humanity, — the gang of boys who could get jobs but didn't except when emergency demanded — and then quit when the emergency passed. Lee's felicitous acquiescence to their thinly veiled urging that they become caretakers of his newly acquired shack; their neighbors in the deserted lot; Doc, high mogul of the marine laboratory, doctor to the neighborhood on occasion, beloved by all; and the others who made up the dregs of Cannery Row. The story builds up to first one and then another climax, as the boys plan a party for Doc. There's humor — and pathos — and sheer good story telling as the incidents unfold. The plot is tenuous, held together by the characters. But Steinbeck succeeds in making them human, likable, out of drawing but never in caricature. And one feels that to him, too, they are part of the flavor of a folk legend of today.
Pub Date: Jan. 2, 1944
ISBN: 0140187375
Page Count: 228
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Jan. 1, 1944
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