by Mark Perry ‧ RELEASE DATE: Nov. 1, 2001
Engaging, intelligent, and likely to be of much interest to general readers, as well as of value in courses in American...
A finely rendered portrait of two Southern abolitionists and civil-rights activists, and of the time in which they lived.
Journalist Perry (Conceived in Liberty, 1997, etc.) traces the evolution of the Grimké sisters, Angelina and Sarah, from antebellum Charleston liberals to influential Philadelphia reformists over the space of a few short years, sent there by a voice from heaven that instructed the Quaker spinster Sarah to “Go north. Go north.” Their abandonment of their home was a long time coming, but no surprise: Perry relates that young Sarah’s father caught her teaching a slave how to read, “in violation of the family’s traditions, Southern customs, and the strict slave codes of the state,” and that Angelina was quick to join her sister in rejecting the traditions of their state, family, and class. Their efforts, though little celebrated in standard texts of 19th-century history, were of great importance in forging the abolitionist cause through the Philadelphia Female Anti-Slavery Society. More than reporting the details of the Grimké sisters’ lives and deeds, interesting enough though they are, Perry offers a learned survey of American social history in the mid-19th century, providing a vivid account of the religious revival called the Second Great Awakening and connecting the quest of their contemporaries for earthly salvation to the sisters’ thwarted determination to lead lives of religious devotion. Perry also does a nice job of introducing what would become a life-altering discovery for the sisters after the Civil War: the fact that their brother had fathered children with a “free person of color,” two of whom would, with the sisters’ help, go on to become important figures in the post-Reconstruction civil-rights movement.
Engaging, intelligent, and likely to be of much interest to general readers, as well as of value in courses in American history, women’s studies, and African American studies.Pub Date: Nov. 1, 2001
ISBN: 0-670-03011-2
Page Count: 512
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2001
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by Marina Abramović ‧ RELEASE DATE: Oct. 25, 2016
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in...
Legendary performance artist Abramovic unveils her story in this highly anticipated memoir.
When she was growing up, the author lived in an environment of privilege in Yugoslavia, which was on the verge of ruin. Her parents, two fervent communist partisans and loyal officers during Josip Broz Tito’s rule, were not the warmest people. Abramovic was put under the care of several people, only to be taken in by her grandmother. “I felt displaced and I probably thought that if I walked, it meant I would have to go away again somewhere,” she writes. Ultimately, she carried this feeling of displacement throughout most, if not all, of her career. Many remember The Artist Is Present, her 2010 performance at the Museum of Modern Art in New York during which she sat in front of museumgoers for 736 hours, but her work started long before then. As a woman who almost single-handedly launched female performance art, the author has spent the better part of her life studying the different ways in which the body functions in time and space. She pushed herself to explore her body’s limits and her mind’s boundaries (“I [have] put myself in so much pain that I no longer [feel] any pain”). For example, she stood in front of a bow and arrow aimed at her heart with her romantic and performance partner of 12 years, Ulay. She was also one of the first people to walk along the Great Wall of China, a project she conceived when secluded in aboriginal Australia. While the author’s writing could use some polishing, the voice that seeps through the text is hypnotizing, and readers will have a hard time putting the book down and will seek out further information about her work.
Her biographer, James Westcott, once said: “every time she tells a story, it gets better,” and one can’t help but wait in anticipation of what she is concocting for her next tour de force.Pub Date: Oct. 25, 2016
ISBN: 978-1-101-90504-3
Page Count: 384
Publisher: Crown Archetype
Review Posted Online: Aug. 20, 2016
Kirkus Reviews Issue: Sept. 1, 2016
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by Marina Abramović & Ulay with Noah Charney
by Issa Rae ‧ RELEASE DATE: Feb. 10, 2015
An authentic and fresh extension of the author’s successful Web series.
Writer, producer and director Rae, famous for her popular Web series, "The Misadventures of Awkward Black Girl," channels her humor and attention to detail into this eponymous collection of personal essays about all the embarrassing moments that have made her who she is.
Sharp and able to laugh at herself, the author writes as if she's unabashedly telling friends a stream of cringeworthy stories about her life. Having grown up with the understanding that laughing at and talking about people was a form of entertainment and bonding, Rae continues the tradition by inviting readers into her inner circle and making her own foibles her primary focus. Almost 30, she opens up about nearly everything in her life, from her lifelong fear of being watched while eating in public to acutely awkward experiences with Internet dating and cybersex. The theme that race plays in this book is integral, although Rae's approach, as with all of her subjects, is decidedly humorous and lighthearted; she veers, always, toward a personal tone as opposed to one that's political or polemical. Her unwavering candidness, the sheer energy of her voice and the fact that she clearly finds herself to be terrific material make her a charismatic, if occasionally exasperating, narrator worth rooting for. Having been in a committed relationship for seven years, Rae unpacks how her Senegalese parents’ union contributed to her attitude (indifference) toward marriage. Some readers will find her proclamations and direct confessions offensive and be turned off; others may be offended but laugh out loud anyway. In Rae, her audience has landed on a singular voice with the verve and vivacity of uncorked champagne.
An authentic and fresh extension of the author’s successful Web series.Pub Date: Feb. 10, 2015
ISBN: 978-1476749051
Page Count: 210
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Dec. 20, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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