A bleak but intermittently humorous psychological novel with an engaging young female arsonist at its center.
A wildly eclectic SF novel set in futuristic San Francisco from Richardson.
Richardson’s vision of San Francisco in the year 2049 is not entirely unrecognizable. The internet is outlawed, and the police force has been partially robotized; yet people are still free to enjoy drunken reveling and general hedonism. The protagonist, Malibu Makimura, is a 19-year-old movie buff who attempts to make a living drawing caricatures at a women-only nightclub. Malibu has suffered from “suicidal ideation” in the past. By 2049, however, her life has improved (she’s no longer homeless, for one), although the earning potential is limited in her field of work. At the nightclub, she arouses the interest of a mysterious woman named Luciana, who some believe is a witch. She keeps a servant nicknamed Max, who resembles the character Max from 1950’s Sunset Boulevard. She also has enough money to pay certain people to do certain odd jobs for her. And, for some reason, she wants Malibu to burn down local cottages, sometimes with the residents still inside. Why cottages? Malibu gets an innate feeling that certain cottages need to be destroyed. The lives of these cottages “had run their course and they were begging to die.” At least that’s what the voices in her head tell her. It helps that Luciana will reward her handsomely for the service. But why cottages? That’s the novel‘s central mystery. That certain structures deserve a fiery death (at least in Malibu’s mind) also creates some darkly humorous undertones. At one point an inexplicable thought surfaces in Malibu’s head: “Yes, it wants to die,” says a voice in her head as she examines a cottage. Some aspects of Malibu’s life are less than inviting. Her father’s history with LSD is detailed, although this backstory proves to be an undramatic dead end. Likewise, a flashback relating to Malibu’s stay in a mental health facility is a detour that adds little substance to the narrative. This odd, fire-starting protagonist will keep the reader guessing throughout the novel.
A bleak but intermittently humorous psychological novel with an engaging young female arsonist at its center.Pub Date: Oct. 6, 2022
ISBN: 9784824151940
Page Count: 298
Publisher: Next Chapter
Review Posted Online: Jan. 3, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Transporting and unputdownable; an appealing combination of deep and page-turning.
An intrepid teen encounters the dark secrets of the elite in her climate-ravaged world in this translated work from South Korea.
Sixteen-year-old Jeon Chobahm is shocked to learn that Goh Haeri, the beloved reality TV star who happens to be Chobahm’s look-alike, just died by suicide—and also that she’s being asked to become Haeri’s secret replacement. In their frozen, post-apocalyptic world, Chobahm, like everyone around her, leads a bleak life. She bundles up daily against the dangerous cold and toils in a power plant. But now she’ll live Haeri’s cushy life in Snowglobe, an exclusive, glass-dome-enclosed community, where the climate is mild, and the resident actors’ lives are broadcast as entertainment for those in the open world. As glamorous as life there may seem, however, Chobahm quickly learns that there’s a sinister underbelly: People are killed off when they’re no longer useful, and there’s something strange about Haeri’s family dynamics. As she meets a host of new companions, including Yi Bonwhe, the heir of Snowglobe’s founding family, Chobahm discovers a devastating secret and embarks on a risky plan to expose the truth. Climate change, societal inequity, and the ethics of escaping from our own lives by watching others’ are addressed in this intelligent, absorbing book. Chobahm is a complex character inhabiting a strongly developed world, and her compassion, ambition, outrage, and sorrow ring true.
Transporting and unputdownable; an appealing combination of deep and page-turning. (Dystopian. 12-adult)Pub Date: Feb. 27, 2024
ISBN: 9780593484975
Page Count: 384
Publisher: Delacorte
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK TO SCREEN
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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