by Mark S. Weiner ‧ RELEASE DATE: Oct. 15, 2004
Well-researched and cogent discussions of how legal cases involving blacks tell us much about the evolving notion of...
Thorough and provocative analyses of legal cases (criminal and otherwise) involving black Americans since the 17th century.
Weiner brings appropriate credentials to this daunting endeavor of writing social, legal, cultural, and racial history: a Ph.D. in American studies as well as a law degree and currently teaches at Rutgers Univ. School of Law. Beginning with a disquisition on his general topic (with a tone and texture very much like a law school lecture: one can almost see the accompanying PowerPoint), Weiner then moves into a chronological examination of cases ranging from the 1721 murder trial of Joseph Hanno (convicted of killing his wife) to the still controversial and celebrity-infested death-row case of Abu-Jamal. In between are the expected (the Amistad, John Brown, Plessy v. Ferguson, the Scottsboro Boys, Brown v. Board of Education, Huey Newton, and the Clarence Thomas–Anita Hill confrontation) and some enlightening surprises, especially the 1830s case of Prudence Crandall, a young idealistic white woman who opened in Canterbury, Conn., a school for black girls. Despite warnings (from officials and others), despite threats of heinous harm to her and her girls (including public whippings), Crandall persisted until she was arrested, tried (hung jury), re-tried, convicted, then released by an appeals court. But a mob trashed her school, driving her from the state. Other interesting treatments include an 1847 case involving runaway slaves and an 1871 case that sought to punish some KKK members. The author begins each chapter with a passage that one might find in a historical novel—e.g., this sentence about the hanging of John Brown: “Beneath the feet of an old man, the scaffold door opens, and he falls through space.” Weiner then proceeds with a narrative of the events and ends with some commentary on their significance. Assigned to minor roles in this sweeping drama are Dred Scott and O.J. Simpson.
Well-researched and cogent discussions of how legal cases involving blacks tell us much about the evolving notion of American citizenship.Pub Date: Oct. 15, 2004
ISBN: 0-375-40981-5
Page Count: 448
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2004
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BOOK REVIEW
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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