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TRUE NOTEBOOKS

A captivating story of hopeless young men whose committed teacher listens—and thereby learns as much as he teaches.

Novelist Salzman (Lying Awake, 2000, etc.) chronicles his experiences as a teacher of writing to young defendants held in Central Juvenile Hall, Los Angeles.

It makes quite a contrast with the gentle tone of Salzman’s memoir about teaching in China (Iron and Silk, 1986), having more in common with the how-I-survived-in-a-tough-classroom accounts of George Dennison and Jonathan Kozol. In 1997, needing background for a juvenile delinquent character in his novel-in-progress, the writer visited a class of juvenile criminals taught by a friend and began teaching his own group after succumbing to some arm-twisting from the friend and from a dedicated nun, Sister Janet, who appears throughout the text. An author’s note informs us that he “re-created from memory” the conversations he held with these tough young men (most accused of murder), and he must have quite a memory, for the narrative is principally dialogue. Salzman held two one-hour sessions per week as part of a project sponsored by a nonprofit foundation. Here, he describes individual class sessions and reproduces (verbatim, he says, with only the spelling and mechanics standardized) some of the pieces the students wrote during the class. Their work ranges from angry to poignant to ugly to horrifying to horrible to pathetic. Salzman occasionally takes us outside—a particularly effective instance involves watching a meteor shower with his father in Arizona—but for the most part he confines his story, like his students, so readers feel the institutional claustrophobia. The author carefully documents his insecurities, his frustrations, and his occasional inability to coax much work or interest—or even civility—from the class, but he also describes in great detail his many successes, most notably a “retreat” that he helps arrange with writing students from other units in the facility. Neither does he neglect to record numerous laudatory comments about his work from colleagues, students, and corrections officers.

A captivating story of hopeless young men whose committed teacher listens—and thereby learns as much as he teaches.

Pub Date: Sept. 1, 2003

ISBN: 0-375-41308-1

Page Count: 340

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2003

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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THE IMMORTAL LIFE OF HENRIETTA LACKS

Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...

A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.

In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.

Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.

Pub Date: Feb. 9, 2010

ISBN: 978-1-4000-5217-2

Page Count: 320

Publisher: Crown

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 1, 2010

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