LOST IN PLACE

GROWING UP ABSURD IN SUBURBIA

An affectionate and often incisive appraisal of the author's thoroughly peculiar yet thoroughly representative suburban Connecticut adolescence. Novelist Salzman's previous memoir, the well-received Iron and Silk (1987), told of his experiences during a two-year stint as an English teacher in China. He begins here by narrating drolly the quintessentially American way his interest in China started: At 13 he saw a kung fu movie and suddenly developed a conviction that he would become a Zen monk. He built a shrine around some chopsticks and incense, purchased a Surprise Bald Head Wig in lieu of cutting off his hair, and soon began taking kung fu lessons, in which he persisted. Salzman recalls his conflicted allegiances to several role models: his terrifying, drunken, somehow inspiring kung fu master, Sensei O'Keefe; his fellow kung fu student Michael, whose fatherless home full of delinquent brothers was the opposite of Salzman's own orderly household; and especially his father, who managed to refrain from expressing disapproval even in the face of his son's undigested Zen babble. A high school teacher persuaded Salzman to study Chinese language and culture seriously, and he wound up learning traditional landscape painting from a waiter at the local Chinese restaurant. Salzman's gentle mockery of adolescent foibles is so dead-on that he achieves Waugh-like moments of hilarity. But in the second half both the humor and the insights trail off a little: After a particularly psychotic demonstration by Sensei O'Keefe, Salzman quit kung fu, which ended his friendship with Michael. He graduated from high school a year early, smoked a lot of pot, and played jazz cello in the basement. Then he went to Yale, had bouts of fairly ordinary existential malaise, and emerged wiser. Salzman engagingly describes teen malleability and confusion; hopefully he'll immortalize his childhood next.

Pub Date: Aug. 1, 1995

ISBN: 0-679-43945-5

Page Count: 224

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1995

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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