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New Ways of Seeing

THE ART OF THERAPEUTIC REFRAMING: HOW TO USE YOUR WORDS TO RELEASE YOUR CLIENTS FROM LIMITING BELIEFS, INCLUDING EXAMPLES FROM 81 REAL CASES.

An enlightening, insightful, hopeful, and entertaining therapy guide.

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English hypnotherapist and psychotherapist Tyrrell (co-author: The Giant Within: Maximize Your Self Esteem, 2002) discusses creative ways that therapists can help their patients.

The author focuses on a technique called “reframing,” in which a psychotherapist attempts to change a patient’s viewpoint on their own problem. Tyrrell asserts that when people are highly emotional—due to anxiety, fear, or depression—their ways of viewing their situations become severely limited. This “simplistic, polarised thinking,” he says, “makes it difficult, or even impossible, to see the wider picture.” He explains that sometimes the simple act of reframing clients’ problems can give them the impetus to find solutions. Having a good rapport with patients can be critical, he says, and he explains how to establish good connections with people without alienating them. For example, he notes that agreeing with a patient’s perception before reframing it may sometimes be the best path to take: “If a client declares, ‘I can’t go on living!’, the therapist can respond with, ‘Of course you can’t go on living the way you’ve been living your life until now. We need to look at making changes.’ ” Tyrrell shows how to use analogies or metaphors to change a patient’s perspective on a situation. To help a patient deal with panic attacks, he says, a therapist can compare the attacks to a faulty car alarm; although this alarm is oversensitive and needs to be readjusted, the patient may start to view attacks as a “useful response” rather than an illness. From there, a therapist can discuss tweaking the alarm to make it less sensitive. Tyrrell includes more than 50 brief, anonymous cases to illustrate various reframing techniques. They cover a wide variety of afflictions and conditions and are sometimes touching and humorous. The author is such a skillful writer and creative thinker that readers may be left wanting more expansive vignettes. Although this book is intended for therapists’ use, it may well provide guidance and hope to laypeople as well. However, the author is careful to note that his examples don’t represent the only possible approaches and aren’t one-size-fits-all techniques.

An enlightening, insightful, hopeful, and entertaining therapy guide.

Pub Date: Aug. 27, 2014

ISBN: 978-1902892269

Page Count: 202

Publisher: Uncommon Knowledge Limited

Review Posted Online: March 23, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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