The anatomy of an airliner and peripatetic aerial travel, as well as a sophisticated worldview, combine for first-class...

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SKYFARING

A JOURNEY WITH A PILOT

Vanhoenacker’s workplace is the cockpit of a 747. Leaving a contrail of information with lapidary prose, he shows why he loves his job.

The author takes his readers on a journey that is far removed from terrestrial concerns, part memoir of wanderlust and part handbook of professional flying. Before each trip, there is the gathering of the crew, numbering in the teens, who may never have met before, and the aircraft is inspected. Vanhoenacker describes some of the electronic instrumentation aboard a modern airliner, as well as the process of lifting the massive plane into another world where there is no local time. The author notes that there are various compass headings that show diverse ways north, and each may be useful. In the sky, nearly everyone uses English, whether they are from Tokyo, Amman, Beijing, London, or countless other global cities. When the autopilot is disengaged before landing, an alarm sounds to verify that flying manually is really intended. At a critical point during the descent, the pilot is ordered by the computer to decide whether to touch down or head up again. Vanhoenacker also informs us that airports are distinguished places—in Japan, ground crews have been seen bowing to departing 747s. For those not privy to the view from the cockpit, the calculus of flight is fascinating. The author artfully considers geography and aerodynamics, but there is more. He reflects aloft what earthbound readers seldom think about, and his engaging essays consider the texture and weight of air and clouds and the essence of speed, place, night, day, and time. This pilot is an accomplished stylistic acrobat who flies—and writes—with the greatest of ease.

The anatomy of an airliner and peripatetic aerial travel, as well as a sophisticated worldview, combine for first-class reading—sure to enhance your next flight.

Pub Date: June 3, 2015

ISBN: 978-0-385-35181-2

Page Count: 320

Publisher: Knopf

Review Posted Online: April 5, 2015

Kirkus Reviews Issue: May 1, 2015

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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