A visceral, graphic report from dystopia.
Confessions of a Zoneaholic.
Ukrainian writer Kamysh makes his book debut with a raw account of his journeys as an illegal tourist—“a stalker, a walker, a tracker, an idiot”—in the Chornobyl Exclusion Zone, the bleak area surrounding the site of the 1986 disaster at a nuclear power plant in Ukraine. His father, a civil engineer, had been a liquidator at the site for six weeks, “when you could still get fried by radiation.” Now Kamysh, and those he guides, see the Zone as a destination for grungy adventures. In abandoned towns “overtaken by desolation and death,” they go to “guzzle down cheap vodka, smash windows with empty bottles, curse way too loudly and do other things that distinguish living towns from dead ones.” Kamysh paints a picture—and includes his own photographs—of a stark, surreal landscape: empty apartments where he finds syringes and dead animals (including the rotting corpse of a wolf); crumbling houses with moss-covered roofs; and bars “where smugglers, looters, and border guards all booze together.” Although he repeatedly vows never to step foot in the Zone again, he cannot resist its allure. He has gone to the Zone in the dead of winter, stomping into an endless blizzard, freezing through the night. “We know how stupid our escapades are,” Kamysh writes, but his own motivation is not merely to experience extreme tourism. He revels in a feeling of “true alienation: treading unfamiliar paths and sinking into swamps without a compass or a map, looking up at the stars you know nothing about.” In sparsely repopulated villages and secluded borderlands, following the paths of smugglers looking for scrap metal, Kamysh admits he is looking for “something unattainable”—an antidote, perhaps, to complacency and consumerism. Illegal tourists revive dead cities. “They breathe life into the empty shells of fragile houses” and make the Zone “a place worth living for.” Translators Leliv and Costigan-Humes capture Kamysh’s angry, sometimes hauntingly rueful prose.
A visceral, graphic report from dystopia.Pub Date: April 5, 2022
ISBN: 978-1-66260-127-9
Page Count: 160
Publisher: Astra House
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
A timely contribution to the discussion of a crucial issue.
A history of the right to vote in America.
Since the nation’s founding, many Americans have been uneasy about democracy. Law and policy expert Waldman (The Second Amendment: A Biography, 2014, etc.), president of New York University’s Brennan Center for Justice, offers a compelling—and disheartening—history of voting in America, from provisions of the Constitution to current debates about voting rights and campaign financing. In the Colonies, only white male property holders could vote and did so in public, by voice. With bribery and intimidation rampant, few made the effort. After the Revolution, many states eliminated property requirements so that men over 21 who had served in the militia could vote. But leaving voting rules to the states disturbed some lawmakers, inciting a clash between those who wanted to restrict voting and those “who sought greater democracy.” That clash fueled future debates about allowing freed slaves, immigrants, and, eventually, women to vote. In 1878, one leading intellectual railed against universal suffrage, fearing rule by “an ignorant proletariat and a half-taught plutocracy.” Voting corruption persisted in the 19th century, when adoption of the secret ballot “made it easier to stuff the ballot box” by adding “as many new votes as proved necessary.” Southern states enacted disenfranchising measures, undermining the 15th Amendment. Waldman traces the campaign for women’s suffrage; the Supreme Court’s dismal record on voting issues (including Citizens United); and the contentious fight to pass the Voting Rights Act of 1965, which “became a touchstone of consensus between Democrats and Republicans” and was reauthorized four times before the Supreme Court “eviscerated it in 2013.” Despite increased access to voting, over the years, turnout has fallen precipitously, and “entrenched groups, fearing change, have…tried to reduce the opportunity for political participation and power.” Waldman urges citizens to find a way to celebrate democracy and reinvigorate political engagement for all.
A timely contribution to the discussion of a crucial issue.Pub Date: Feb. 23, 2016
ISBN: 978-1-5011-1648-3
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: Nov. 28, 2015
Kirkus Reviews Issue: Dec. 15, 2015
This guide to Black culture for White people is accessible but rarely easy.
A former NFL player casts his gimlet eye on American race relations.
In his first book, Acho, an analyst for Fox Sports who grew up in Dallas as the son of Nigerian immigrants, addresses White readers who have sent him questions about Black history and culture. “My childhood,” he writes, “was one big study abroad in white culture—followed by studying abroad in black culture during college and then during my years in the NFL, which I spent on teams with 80-90 percent black players, each of whom had his own experience of being a person of color in America. Now, I’m fluent in both cultures: black and white.” While the author avoids condescending to readers who already acknowledge their White privilege or understand why it’s unacceptable to use the N-word, he’s also attuned to the sensitive nature of the topic. As such, he has created “a place where questions you may have been afraid to ask get answered.” Acho has a deft touch and a historian’s knack for marshaling facts. He packs a lot into his concise narrative, from an incisive historical breakdown of American racial unrest and violence to the ways of cultural appropriation: Your friend respecting and appreciating Black arts and culture? OK. Kim Kardashian showing off her braids and attributing her sense of style to Bo Derek? Not so much. Within larger chapters, the text, which originated with the author’s online video series with the same title, is neatly organized under helpful headings: “Let’s rewind,” “Let’s get uncomfortable,” “Talk it, walk it.” Acho can be funny, but that’s not his goal—nor is he pedaling gotcha zingers or pleas for headlines. The author delivers exactly what he promises in the title, tackling difficult topics with the depth of an engaged cultural thinker and the style of an experienced wordsmith. Throughout, Acho is a friendly guide, seeking to sow understanding even if it means risking just a little discord.
This guide to Black culture for White people is accessible but rarely easy.Pub Date: Nov. 10, 2020
ISBN: 978-1-250-80046-6
Page Count: 256
Publisher: Flatiron Books
Review Posted Online: Oct. 12, 2020
Kirkus Reviews Issue: Nov. 1, 2020
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