 
                            by Markus Heitz ; translated by Sheelagh Alabaster ‧ RELEASE DATE: Feb. 10, 2015
Fine for fans of the Dwarves series; others may be in for an uncomfortable visit.
From the author of the best-selling Dwarves series (The Fate of the Dwarves, 2008, etc.), a new venture retelling substantially the same story but from a radically different point of view; it first appeared in Germany in 2009.
The dark elves, or älfar, are renowned for their uncompromising warrior ethos. Their rulers, the Inextinguishables—an incestuous brother-sister couple so overwhelming in aspect that other älfar cannot behold them without going mad—decree that the elves (for whom the älfar bear a particular loathing) shall be destroyed. First, though, they will need to unlock the gates of the impregnable fortress that bars access. So they dispatch warriors Caphalor and Sinthoras to obtain the support of a mist-demon. Caphalor’s Constellations faction believes only in defensive wars, while Sinthoras’ rival Comets thirst for conquest. Sinthoras, a great artist, owns Raleeha, a human who voluntarily gave herself into slavery in order to learn to create great art; as punishment for a minor oversight, Sinthoras blinds her. Caphalor, meanwhile, watches in approval as his daughter lobotomizes a potentially rebellious slave. To reach the mist-demon, they brave many perils, including defeat and humiliation at the hands of the gnomelike fflecx, who are expert poisoners, and the gålran zhadar, whose magic and technology is unsurpassed. After many adventures, they return, their limitless contempt for nonälfar races and boundless arrogance somewhat tempered, with the mist-demon’s agreement—or so they think. This excellent back story, driven by unrelenting action, springs to life through the vivid, vigorous writing and almost despite characters so unpleasant it's difficult to sympathize with them. The intricate älfar artworks, derived mostly from flayed or eviscerated enemies, both intrigue and repel.
Fine for fans of the Dwarves series; others may be in for an uncomfortable visit.Pub Date: Feb. 10, 2015
ISBN: 978-1-62365-883-0
Page Count: 400
Publisher: Jo Fletcher/Quercus
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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                            by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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                            by Ray Bradbury ‧ RELEASE DATE: June 15, 1962
A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.
Pub Date: June 15, 1962
ISBN: 0380977273
Page Count: 312
Publisher: Simon & Schuster
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: June 15, 1962
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