by Marlena de Blasi ‧ RELEASE DATE: Nov. 5, 2004
An object lesson in living fully from a genuine sensualist unabashed by her emotions.
Another savory slice of de Blasi’s life (A Thousand Days in Venice, 2002, etc.), this one chronicling her move south to a small Tuscan town.
“Three years ago, when I left America to come to live in Italy, it was neither Venice nor the house on the beach that lured me. Rather it was this man, this Fernando. It’s quite the same thing now. We’ve hardly come to Tuscany for the house.” Which is a good thing, for this old stable is far from chic. That’s not the point; they have come there to scrub their lives as if with a loofa, to follow the rituals of rural culture in San Casciano dei Bagni, a place of olive and cypress trees, meadows with sheep and sunflowers and lavender. Food will take center stage: fat and velvety zucchini blossoms; a haunch of boar; pecorino bread; ropes of pasta dressed with green tomatoes, garlic, oil, and basil; all the humble, inspired dishes that make you want to bark with pleasure. Without fanfare, the townspeople can gather in a spontaneous convocation, “whispering gastronomic lore like vespers.” De Blasi faithfully catches San Casciano in all its weathers, evoking its ancient roots (Roman legions tramped through this land), its artistic association (Rafaello and Perugino), and its political leanings (more than slightly red), as well as the wartime ingenuity that remains a wonder half a century later. The inhabitants, each in their own way, tilt de Blasi’s days, making them sweeter and more pungent. One old soul advises on all things San Casciano; another woman makes sure the couple doesn’t get too sentimental as they get evermore romantic. The proceedings entail both comfort and risk: the sun shines pink, and the stone floors deliver a welcome coolness, but the swift passage of time lends an edge with the prospect of death.
An object lesson in living fully from a genuine sensualist unabashed by her emotions.Pub Date: Nov. 5, 2004
ISBN: 1-56512-392-1
Page Count: 336
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
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by Shaun Bythell ‧ RELEASE DATE: April 7, 2020
Bighearted, sobering, and humane.
A bookseller in Wigtown, Scotland, recounts a year in his life as a small-town dealer of secondhand books.
“The pleasure derived from handling books that have introduced something of cultural or scientific significance to the world is undeniably the greatest luxury that this business affords,” writes Bythell. In a diary that records his wry observations from behind the counter of his store, the author entertains readers with eccentric character portraits and stories of his life in the book trade. The colorful cast of characters includes bookshop regulars like Eric, the local orange-robed Buddhist; Captain, Bythell’s “accursed cat”; “Sandy the tattooed pagan”; and “Mole-Man,” a patron with a penchant for in-store “literary excavations.” Bythell’s employees are equally quirky. Nicky, the author’s one paid worker, is an opinionated Jehovah’s Witness who “consistently ignores my instructions” and criticizes her boss as “an impediment to the success of the business.” His volunteer employee, an Italian college student named Emanuela (whom the author nicknamed Granny due to her endless complaints about bodily aches), came to Wigtown to move beyond the world of study and “expand [her] knowledge.” Woven into stories about haggling with clients over prices or dealing with daily rounds of vague online customer requests—e.g., a query about a book from “around about 1951. Part of the story line is about a cart of apples being upset, that’s all I know”)—are more personal dramas, like the end of his marriage and the difficult realities of owning a store when “50 per cent [sic] of retail purchases are made online.” For Bythell, managing technical glitches, contending with low profit margins on Amazon, and worrying about the future of his business are all part of a day’s work. Irascibly droll and sometimes elegiac, this is an engaging account of bookstore life from the vanishing front lines of the brick-and-mortar retail industry.
Bighearted, sobering, and humane.Pub Date: April 7, 2020
ISBN: 978-1-56792-664-4
Page Count: 320
Publisher: Godine
Review Posted Online: Feb. 4, 2020
Kirkus Reviews Issue: March 1, 2020
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by James Baldwin ‧ RELEASE DATE: May 26, 1972
James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.
Pub Date: May 26, 1972
ISBN: 0307275922
Page Count: -
Publisher: Dial Books
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: May 1, 1972
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by James Baldwin ; edited by Jennifer DeVere Brody & Nicholas Boggs ; illustrated by Yoran Cazac
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by James Baldwin ; edited by Randall Kenan
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