Love stories are easy targets, but no one will scoff at the genuine and cheering affection depicted so generously here.
A luxurious story of sudden love, done properly, from cook/journalist de Blasi (Regional Foods of Northern Italy, not reviewed, etc.).
Middle-aged and divorced, with two grown children, living in St. Louis (Missouri, that is), de Blasi goes to Venice and meets the gaze of a man while having a drink in a restaurant with friends. He asks her for a rendezvous, and she agrees, unexpectedly, touched by the same whatever that has moved him. The rest is history, and a great story. The man, Fernando—no smooth-talker, a bit of a frump, awkward, yet a romantic—comes for a weeklong visit to St. Louis, and by the time he leaves, de Blasi has promised to move to Venice to be with him. She has few second thoughts, and her friends urge her on: “If there is even the possibility that this is real love,” one of them asks her, “could you dare to imagine turning away from it?” She doesn't, and what follows are the next 1,000 days, her game immersion in Italian culture to her wedding to their move south to Tuscany. De Blasi relates it all in a voice at once worldly and sensuous, unsentimental and aware of what it means to have such good fortune. Not all is as rosy as the Venetian morning light, though; she suffers a loss of her natural ebullience, “the quick strangling of spontaneity for the sake of a necessary deception that Italians call ‘elegance’,” though she doesn't allow it to dampen her vitality, nor does she let Fernando—who eats like a bird and whose kitchen is “a cell with a Playskool stove”—diminish her love of food. Rather, she binds her love of Fernando to her love of food, like a bouquet garni, in one long delicious engagement running throughout this ode, from cappuccino and apricot pastry to pumpkin gnocchi in cream and sage.
Love stories are easy targets, but no one will scoff at the genuine and cheering affection depicted so generously here.Pub Date: June 7, 2002
ISBN: 1-56512-321-2
Page Count: 288
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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