by Marsha Diane Arnold ; illustrated by Matthew Cordell ‧ RELEASE DATE: Nov. 3, 2015
What is “Found” now? A community, that’s what.
Just two words (and many amusing sound effects) form the text of this visually driven story about conflict resolution, resourcefulness, community—and a red scarf.
When a bear loses its red scarf on a blustery day, two raccoons find it and engage in a tug of war. Then one raccoon hits the other with a snowball in retribution, and they both abandon the scarf and take off after each other. The scarf is once again “Lost,” only to be “Found” again in short order by an industrious beaver who wears it like a turban. Alas, when the scarf snags on a branch overhead (it is a very tall turban), the scarf is yet again “Lost.” And so continues the story, with Cordell’s humorous illustrations depicting various animals finding and losing the scarf until they all come together at book’s end with a pile of yarn at their feet. The scarf is ruined, but all is not lost: the animals gather up the yarn, and the bear begins to knit. Then the beaver lends a hand while the other animals sip hot beverages provided by the bear, and by the final page, the scarf is whole again. In a happy bit of artistic license, it’s now long enough for the animals to share as they sit around a cozy campfire.
What is “Found” now? A community, that’s what. (Picture book. 3-7)Pub Date: Nov. 3, 2015
ISBN: 978-1-62672-017-6
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Aug. 4, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Marsha Diane Arnold ; illustrated by Susan Reagan
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by Marsha Diane Arnold ; illustrated by Qin Leng
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 21, 2012
Serve this superbly designed title to all who relish slightly scary stories.
Awards & Accolades
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New York Times Bestseller
IndieBound Bestseller
Caldecott Honor Book
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
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