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MAY I COME IN?

Lovely artwork combined with goodwill toward men.

Thunderstorms are for sharing.

Rain poured. / Raccoon shivered. / Thunder roared. / Raccoon quivered.” Raccoon is not altogether comfortable alone in his den as the storm outside rages. Nevertheless, he braves the wet night in order to find some company with whom he can share his collywobbles. In a narrative composed of onomatopoeia and occasional verse, Raccoon travels through the woods, dropping in on Possum, Quail, and Woodchuck in turn, only to be refused entry because there isn’t enough room. “Swish, swish, PLISH.” Raccoon pushes on through the darkness and rain—Poh’s fine artwork resembles particularly good theatrical backdrops against which her stylized figures stand out—until he reaches Rabbit’s hutch, overrun with little rabbits. Raccoon thinks it’s another bust until Rabbit says, “What good luck….Come right in. There’s always room for a good friend.” Being rabbits, they have to be space-ready. Soon enough Possum, Quail, and Woodchuck come knocking, seeking emotional shelter from the storm, and they, too, are welcomed in for some carrot stew and to romp with the 10 little rabbits. Come on in, the story says without saying it, which is always the best way, there’s always room for one more. Readers may notice that only Rabbit is identified as female, which reinforces more than one stereotype.

Lovely artwork combined with goodwill toward men. (Picture book. 3-7)

Pub Date: Feb. 15, 2018

ISBN: 978-1-58536-394-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Nov. 21, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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MEI MEI THE BUNNY

A reassuring riff on embracing imperfections.

A young rabbit frets about her upcoming violin performance in Icelandic singer-songwriter Laufey’s literary debut.

Mei Mei’s dream—“to share her music with the world”—is about to come true. She’s having her very first recital, complete with an orchestra, at the H’Opera House. But the day before the concert, Mei Mei is racked with anxiety. What if she plays a bum note in front of everyone? Sure enough, the worst happens mid-performance: She hits a clinker. But by remembering her mom’s reassuring sentiments from the night before (“Feel the wind…find the notes to make it right”), Mei Mei summons the strength to soldier on, and “wrong notes become right. Dissonance becomes beautiful.” At times, it all feels more like a resilience parable than a story, and the writing can be precious (“The flutter of butterflies wakes Mei Mei from her slumber”). Still, the message is solid, bolstered by O’Hara’s pencil and watercolor illustrations, which are plush-toy soft—fitting, as even prior to this book’s publication, a stuffed Mei Mei has been for sale at Grammy winner Laufey’s website. The tale features an all-animal, all-adorable cast, and endearingly, the art betrays no hint of modern times. A standout image presents Mei Mei onstage, temporarily incapacitated by her mistake and imagining her fellow musicians and their instruments with the color-blasted menace of an expressionist painting.

A reassuring riff on embracing imperfections. (author’s note, glossary) (Picture book. 3-7)

Pub Date: April 21, 2026

ISBN: 9798217051748

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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IT'S MY BIRD-DAY!

From the Pigeon series

Familiarity breeds a birthday for the ages in this party worth attending.

Don’t let the Pigeon ruin his own special day!

Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.

Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)

Pub Date: March 31, 2026

ISBN: 9781454999621

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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