A gripping exploration of war-induced trauma, identity, and transformation.
A 12-year-old Ukrainian girl arrives in Canada after World War II and struggles to make sense of her jumbled memories of battle-scarred Germany.
After five years in a displaced persons camp, Nadia Kravchuk arrives in Brantford, Ontario, accompanied by her adoptive mother, Marusia. When Nadia’s fellow classmates are convinced by her blonde hair and blue eyes that she is a Nazi, Marusia repeatedly assures Nadia that’s not the case. Eventually, Nadia safely relives her trauma in order to solve the puzzle of who she really is—not Nadia Kravchuk nor Gretchen Himmel, the German identity she assumed to survive, but someone else entirely…Larissa, the younger sister of Lida, the protagonist of Skrypuch’s Making Bombs for Hitler (2016). The author once again deftly sheds light on lesser-known aspects of the Ukrainian experience during WWII. Via flashbacks and nightmares, she gradually fleshes out Nadia’s painful history of abduction from her original family and subsequent placement in a German household. As further explained in the author’s note, this was part of the Lebensborn program, an effort to identify and mark blond and blue-eyed Ukrainian children as Aryans and force them to live with Nazi families in order to augment the building of a master race.
A gripping exploration of war-induced trauma, identity, and transformation. (author’s note) (Historical fiction. 8-12)Pub Date: Feb. 26, 2019
ISBN: 978-1-338-23304-9
Page Count: 208
Publisher: Scholastic
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
A warm depiction of family and of standing up for what you believe in
After her father loses his job, 11-year-old Carolina moves with her parents and younger brother, Daniel, from their home in Puerto Rico to upstate New York.
She misses that open, breezy home, the flamboyán tree in the backyard, and the weekly art lessons with Señora Rivón. Carolina can’t seem to relate to her 13-year-old cousin, Gabriela, who is half–Puerto Rican and half-white. Carolina is afraid of losing her Puerto Rican customs, such as leaving Dani’s lost tooth for the Ratoncito Pérez to take instead of the Tooth Fairy. At Tía Cuca and Uncle Porter’s suggestion, Carolina and Dani join Gabriela at a farm day camp called Silver Meadows. She meets Gabriela’s friends and a girl named Jennifer who is also an artist. A friendship between Jennifer and Carolina blooms, and after Carolina finds a small abandoned cottage, Jennifer and Carolina turn the cabin into their artists’ colony, sneaking off to beautify it and make art there whenever they see the opportunity. The possible closure of the summer camp looms large over the plot; as Carolina strives to find a space for herself in Larksville, she also tries to figure a way to save the beloved summer camp. The poetry of Robert Frost, Luis de Léon, and Antonio Machado provides thematic counterpoint within Otheguy’s approachable, empathetic, third-person narrative.
A warm depiction of family and of standing up for what you believe in . (Fiction. 8-12)Pub Date: April 30, 2019
ISBN: 978-1-5247-7323-6
Page Count: 240
Publisher: Knopf
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Once readers get past the drama, they’ll cheer for Stef Soto, her family, and Tía Perla
Debut novelist Torres delivers a light, touching novel about a seventh-grader, her first-generation family’s food truck, and her tribulations at school.
Estefania “Stef” Soto is the daughter of hardworking, rule-abiding Mexican-American parents; she is a skilled artist, but at school she’s best-known for Tía Perla, their family food truck. When not stationed at parks or convenience stores, Papi can be found driving it to and from school to chauffeur Stef, which humiliates her. Present-tense narrator Stef is an only child who speaks Spanish at home and finds herself translating for her dad from time to time; Mami works evenings as a cashier at the open-all-night grocery store. Just when the story starts to feel like a standard-issue preteen drama rife with petty rivalries, a substantial, meaningful, two-pronged plot develops: the depletion of art-class supplies leads to a student-led fundraiser, and new city-government rules threaten the family’s food-truck business. Woven through the story are both typical Spanish words (“órale,” “ándale,” “vámonos”) and more elaborate phrases, such as “Aprendiste algo?” and “Es una cantante.” (The Spanish is unitalicized and effortlessly explicated in context.) Torres is mindful of the casting, which includes Latino teachers, parents, and students (and a Latina pop star) and a Korean student (Arthur Choi, Stef’s close friend). Short chapters give readers an engaging glimpse of food-truck culture through the Soto family’s sacrifices, values, and hardships.
Once readers get past the drama, they’ll cheer for Stef Soto, her family, and Tía Perla . (Fiction. 8-12)Pub Date: Jan. 17, 2017
ISBN: 978-0-316-30686-7
Page Count: 176
Publisher: Little, Brown
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
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