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A SECRET KEEPS

This sophisticated farmyard tale is sprinkled with gentle plays on words and is sure to spark discussion about secrets of...

Chall employs alliteration and rhyme to lyrically portray a young boy’s quiet adventure on his grandparents’ farm.

After a car trip that lasts “two sleeps,” the boy is eager to find the secret his Grampa has promised in this bucolic landscape. He questions his grandparents and the animals during a campfire, a henhouse visit and a cornfield trek. At bedtime the moon inspires him to slip outside. Under the moonlight he fancies himself a pirate going aboard a galleon. “Where is the secret treasure?” “I find the ladder, / take a breath, / then climb up to the loft. / Shhhh, the pirate hushes. / Then something brushes, / something soft.” Astute readers will already know the answer from a foreshadowed “mew.” It is the interplay between the author’s poetic language and the lush illustrations Solomon provides that elevates the story from the usual new-pet fare. A mix of various paints and collage creates dreamy settings rooted with sharp details. On a pivotal spread, watery deep-blue barn planks bleed together while the finely detailed straw focuses readers’ attention (and the boy’s) to the destination of his surprise. “Finders, keepers” does apply.

This sophisticated farmyard tale is sprinkled with gentle plays on words and is sure to spark discussion about secrets of all kinds—those to keep, discover and share. (Picture book. 4-7)

Pub Date: April 1, 2012

ISBN: 978-0-7613-5593-9

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Jan. 17, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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