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MUYBRIDGE AND THE RIDDLE OF LOCOMOTION

Lenticular plates add an appropriately eye-catching gimmick to this quick profile of the 19th-century photographer whose sequential photographs of a horse galloping established that during its stride, all four hooves left the ground.

The four lenticular plates (one of which is duplicated for the cover) are based on Muybridge’s photos and more or less suggest what audiences who viewed the originals through his spinning Zoopraxiscope might have seen. Unfortunately, two are silhouettes, and none can be angled to offer a clean single image. More helpfully, the full sets of stills from which the plates are drawn along with sequences of other characteristic subjects—from the galloping horse that first made him famous to a flying bird and a winsome child picking up a doll—are included too. These, along with Braun’s terse but specific account of Muybridge’s career and achievements offer a clearer sense of why his photos are still worth studying for what they reveal about animal and human movement. Not to mention that they’re entertaining to pore over. As he regularly rates mention in histories of early filmmaking but almost never anywhere else, his work may be new to young readers and viewers, to boot. Low production values notwithstanding, a rare glimpse of a historically significant visual artist who also plainly had a well-developed sense of fun. (chronology, resource list) (Biography. 8-10)

 

Pub Date: Dec. 1, 2013

ISBN: 978-1-77085-229-7

Page Count: 24

Publisher: Firefly

Review Posted Online: Nov. 1, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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LONG DISTANCE

A classic story of outsiders making friends—with a little something more.

After moving to a new city, a girl attends a wilderness camp to help her make new friends.

When astronomy-obsessed 9-year-old Vega’s dad Wes gets a new job, the family moves from Portland to Seattle. Vega is not happy about this change and doesn’t want to leave her best friend behind, worrying they will grow apart. Vega’s dad Javi thinks making new friends will help her adjust, so he signs her up for Camp Very Best Friend, which is designed to help introverted local children build new friendships. Vega is not exactly eager to go but makes a deal with Wes, agreeing to try out camp as long as he tries to make a new friend too. It quickly becomes clear that this is no ordinary outdoor adventure, and Vega and her fellow campers try to figure out what is really going on. The story smoothly incorporates STEM facts with insets on the page to define and highlight terms or tools. An unexpected twist toward the end of this fast-paced adventure that reveals the truth behind the camp will surprise readers. The clean, bright artwork is enhanced by panels of varying shapes and clear, easy-to-follow speech bubbles. Race, ethnicity, and sexual orientation are not explicitly addressed; characters’ names and physical appearances indicate a broadly diverse cast starting with brown-skinned Vega and her two dads.

A classic story of outsiders making friends—with a little something more. (Graphic fiction. 8-10)

Pub Date: June 29, 2021

ISBN: 978-1-5344-5566-5

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: April 29, 2021

Kirkus Reviews Issue: May 15, 2021

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THE STORM

A picture book combines the exuberance of children and the drama found in nature for a sly lesson on power-sharing. Henderson (Newborn, 1999, etc.) lands on the wide reaches of a windy beach where young Jim expansively flings wide his arms and claims “All this is mine!” So it seems until the wind blows in a gale so violent that it smashes objects and tears “through the dreams of people sleeping.” An eerie series of black-and-white paintings shows the white-capped waves breaking ever higher and crashing inland; these are so frightening that Jim cries out to his mother, “The sea! It’s coming!” Happily enough, Jim and his mother are able to run up the hill to a grandmother’s house where they weather the storm safely. The next time Jim speaks to the wind, on a much quieter beach, he whispers, “All this is yours.” Large type, appealing pastel illustrations, and a dose of proper perspective on humankind’s power over nature make this book a fine choice for story hours as well as nature collections. (Picture book. 5-8)

Pub Date: Nov. 1, 1999

ISBN: 0-7636-0904-8

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 1999

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