Expertly captures Stone’s significant life and the impressive strength of her will.
The life and times of a black woman determined to play professional baseball amid the racism and sexism of midcentury America.
To the young Toni Stone (1921–1996), who grew up in St. Paul, Minn., baseball was “like a drug.” It was all she wanted to do, and she was as good, if not better, than most boys. She played where she could and at age 16 began her professional career with the barnstorming Twin City Colored Giants, experiencing the rough-and-tumble life of semi-pro baseball. She also learned to play the game better, and in 1943 she moved to San Francisco to join the prestigious San Francisco Sea Lions. From the Sea Lions she moved on to the New Orleans Creoles, and there faced the daily humiliations of the Jim Crow South. Throughout her early career, Stone also had to prove that she was not a circus sideshow but a player of high skill, and her talents eventually led her to the Negro League, the pinnacle of black baseball. However, times were slowly changing, signaled by Jackie Robinson’s signing with the Brooklyn Dodgers in 1947, and the Negro League was dying. Stone ended her professional career in 1955, but played and coached until her death. Ackmann offers a multilayered narrative, telling the personal story of Stone, bringing to life the joys and frustrations of black baseball and effectively evoking the racial hatred and sexist disdain of the time. Other black players of her era—Henry Aaron, Willie Mays, Ernie Banks—went on to greatness in the big leagues, but age and gender denied Stone this chance. She played nonetheless and, as she once said, worked hard to “find the heart of the game.”
Expertly captures Stone’s significant life and the impressive strength of her will.Pub Date: June 1, 2010
ISBN: 978-1-55652-796-8
Page Count: 288
Publisher: Lawrence Hill Books/Chicago Review
Review Posted Online: Jan. 11, 2011
Kirkus Reviews Issue: April 1, 2010
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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