by Martha Hall Kelly ‧ RELEASE DATE: March 30, 2021
Historical verisimilitude worthy of a Ken Burns documentary but oh so much more lurid.
A saga of the Civil War gathers all the usual suspects—enslaved people, slave owners, abolitionists, soldiers, and nurses—but the result is far from clichéd.
Kelly’s ambitious tale begs to be called “sweeping,” but its chief virtue is the way it homes in on the microcosms, some horrific, inhabited by its three narrators. Georgy, from New York, one of seven daughters of the abolitionist Woolsey family, is determined to become a nurse. She studies with Dr. Elizabeth Blackwell, America’s first female medical school graduate, and strives to batter down prejudice not just against women doctors, but women nurses. Despite her proven ability, she’s often replaced at battlefield hospitals by incompetent, drunken male nurses. Jemma’s family is enslaved on the Peeler tobacco plantation in the border state of Maryland, where the White population seems equally divided between Union and Rebel sympathies. Firmly in the second camp is Anne-May, who inherited the Peeler plantation from her elderly Aunt Tandy Rose, flouting her late aunt’s testamentary directive to free Peeler’s slaves. Anne-May is bad to the bone, whips Jemma regularly, employs a brutal overseer, spends her family’s dwindling funds on fripperies, is addicted to snuff, and takes advantage of her husband’s absence at the front to flagrantly carry on an affair with a local merchant. The affair turns into a spying mission for the Confederacy, involuntarily abetted by Jemma, who, more literate than Anne-May, is forced to write down Union secrets in Anne-May’s little red book. And that’s only the beginning of Anne-May’s moral bankruptcy. These alternating, intimate vantage points situate readers in the chaotic political, military, and social hellscapes of Civil War America, from Gettysburg to the draft riots. Cliffhangers closing each chapter keep the plot moving at a satisfying clip.
Historical verisimilitude worthy of a Ken Burns documentary but oh so much more lurid.Pub Date: March 30, 2021
ISBN: 978-1-5247-9640-2
Page Count: 528
Publisher: Ballantine
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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