by Martha Hall Kelly ‧ RELEASE DATE: April 5, 2016
In this mashup of two war novels, the more conventional New York story pales by comparison.
Kelly’s three narrators are based on actual people whose destinies converged in or around Ravensbrück, Hitler’s concentration camp for women.
It's 1939: Hitler has invaded Poland, and although few suspect it, France is next. Caroline, a former debutante who, at 37, appears to have missed her chance for marriage, does charity work at the French Consulate in Manhattan. Requests for visas accelerate, as does demand for the care packages Caroline sends overseas. When her married would-be lover, Paul, leaves New York for Paris shortly before the Germans march in, Caroline fears the worst. Kasia, a former Girl Guide, joins an underground youth group after the Nazis occupy her hometown of Lublin, Poland. Soon she's arrested, along with her mother and sister, Zuzanna, a medical student. The women are sent to Ravensbrück, a concentration camp whose mission is to work the prisoners to death—those, that is, who aren't terminated immediately upon arrival. (A crude form of lethal injection is used, as the Nazis are still experimenting with more efficient means of mass murder.) Kasia watches in horror as one of her former teachers is fatally mauled by a dog set on her by Binz, the head guard. Young physician Herta, the third narrator, is a loyal German and Nazi. Although not happy about Hitler’s edict that women doctors cannot be surgeons, she's less than upset when her father’s Jewish doctor is deported. She accepts a post at Ravensbrück, where her Hippocratic oath is immediately compromised: her first duty is to dispatch an elderly prisoner. Her eagerness to scrub in quickly overcomes any remaining scruples as Herta conducts grisly surgical “experiments” on inmates, including Kasia. The women, many permanently maimed, who undergo these “studies” become known as the “Rabbits.” Kelly vividly re-creates the world of Ravensbrück but is less successful integrating the wartime experience of Caroline, whose involvement with the surviving Rabbits comes very late.
In this mashup of two war novels, the more conventional New York story pales by comparison.Pub Date: April 5, 2016
ISBN: 978-1-101-88307-5
Page Count: 496
Publisher: Ballantine
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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by John Steinbeck ‧ RELEASE DATE: Sept. 19, 1952
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
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by John Steinbeck & edited by Thomas E. Barden
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by John Steinbeck & edited by Robert DeMott
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by John Steinbeck & edited by Susan Shillinglaw & Jackson J. Benson
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BOOK TO SCREEN
BOOK TO SCREEN
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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