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OUT OF SILENCE

REPAIR ACROSS GENERATIONS

An important examination of what it means to discover one’s self and to reclaim one’s sense of belonging.

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A philosophically charged memoir of a man connecting with a Jewish heritage that he only discovered later in life.

Matustik (Philosophy and Religious Studies/Arizona State Univ.; Radical Evil and the Scarcity of Hope, 2008, etc.) was born in what is now Slovakia in 1957 and orphaned at the age of 14. Later, he signed a document called Charta 77 in defiance of communist authoritarianism, fled Czechoslovakia, and ultimately landed in the United States as a respected academic. Still, none of this fully prepared him for news he received in 1997 that completely upturned his sense of identity. While living in Chicago, he received two letters from Australian relatives revealing his Jewish origins—a major piece of family genealogy that his mother had determined to keep from him. He’d never discussed the horrors of the Holocaust while growing up and never knew that his mother’s family was ravaged by Nazi violence. Fifteen years later, after digging more deeply into his untold history, he discovered the reasons behind his mother’s deliberate silence. Because he was deprived of a full sense of his past, this memoir is an unusual exercise in “postmemory” as he attempts to excavate a personal history he never experienced. A well-known professor of philosophy and the author of six academic books, Matustik places his personal quest in the context of world history, dissecting the plight of the Jews and the global conflict against tyranny that animated the 20th century. His ruminations are often deeply scholarly and literary, spanning an impressive breadth of topics from Plato to Pink Floyd. It all results in a protean work that resists easy categorization—a complex amalgam of the personal and historical that he calls his “philosophical-political quest.” The prose can be soaringly poetic but also dense. However, his attempt to rescue himself from “generational blindness” is both intellectually stirring and emotionally poignant. “Shame is the survivor’s unacknowledged trauma,” he writes. “My mother’s trauma has settled me with her generation’s guilt and my own survivor’s guilt. I have been suffering from her disrepair, even as I survive her traumatized silence.”

An important examination of what it means to discover one’s self and to reclaim one’s sense of belonging.

Pub Date: Jan. 28, 2015

ISBN: 978-0988373211

Page Count: 348

Publisher: NEW CRITICAL THEORY

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: May 15, 2015

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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