by Martin Meredith ‧ RELEASE DATE: April 1, 2003
Serviceable, though nothing new. (8 pages b&w photos, 32 illustrations)
A compilation of thoughts, facts, and literature on the African elephant, from a former journalist and scholar who has written extensively about the continent.
Elephants once ranged over all of Africa; now only five countries there have populations of more than 50,000. Meredith (Coming to Terms, 2000, etc.) begins 5,000 years ago in Egypt, whose pharaohs hunted elephants for their ivory until the climate became too arid to support such herds. They then turned to Syria, eventually driving the small Asian elephant population to extinction. The author next profiles Alexander the Great, who was so impressed by the Persians’ use of armored elephants that he incorporated them into his own army after 331 b.c. But by 46 b.c., the African elephant’s primary use was for entertainment: Romans pitted gladiators against dozens of elephants at a time, and the demand for this brutal spectacle eventually rendered the North African herds all but extinct. Over centuries, the African elephant population suffered losses and made gains until the great ivory trade began in the mid-1400s. Due to the lucrative market in piano keys and billiard balls (among other items), by 1760 elephant herds in southern Africa were much diminished, and by 1880 they had vanished. In East and West Africa, the same story was playing out. At this point, Meredith focuses on recent scientific studies, notably the work of Iain and Oria Douglas-Hamilton, Cynthia Moss, Joyce Poole, and Katherine Payne. He’s an engaging writer, and his synopses should lead readers to the original works themselves. He concludes with the great ivory wars of the 1970s and ’80s, naming Hong Kong and Japan as the major culprits. Now that many countries have joined the ban on ivory, some elephant populations may make a comeback, but their situation is perilous at best. The author provides a nice overview of the troubles facing the African elephant, but no original research at all.
Serviceable, though nothing new. (8 pages b&w photos, 32 illustrations)Pub Date: April 1, 2003
ISBN: 1-58648-077-4
Page Count: 288
Publisher: PublicAffairs
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Helen Macdonald ‧ RELEASE DATE: March 3, 2015
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
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An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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BOOK TO SCREEN
by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A quirky wonder of a book.
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lulu Miller ; illustrated by Hui Skipp
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