A drug-addled poet undertakes an epic journey during the 1981 Brixton riots.
There’s no denying that Scottish absurdist Millar (Lonely Werewolf Girl, 2007, etc.) is an uncommon voice in the wilderness of fantasy novelists. This book, originally published in the United Kingdom in 1988, offers plenty of fun for a retro period farce. Our hero is 17-year-old Lux, who’s not your typical hero. He looks “something like a cross between a scarecrow and Lana Turner, if Lana Turner had red and yellow hair standing in a jagged bush two feet off her head and the scarecrow topped its ragged old coat with a face of extreme girlish beauty, bearing a little piratical scar over its left eye.” This wildly narcissistic rake is in search of his lost love Pearl, a renegade filmmaker on the run with Nicky, a computer expert and refugee from a deviant experiment by Happy Science PLC to impregnate beauty queens with the seed of geniuses. Among the parties after our fair-haired hero are his gay flat mates Patrick and Mike, furious that Lux has appropriated their lubricant as a hair product, and the Jane Austen Mercenaries, from whom Lux has stolen demo tapes and massive amounts of drugs. Luckily, Lux has the support of Kalia, exiled from heaven for 3,000 years but still determined to protect her idiot charge long enough to perform the one million acts of kindness required to earn redemption. Millar spins a fascinating past life for Lux and Kalia involving the former’s latent talent as a perfume guesser in 12th-century Japan, not to mention a prescient war between computer firms and an unusual quest for glory on the part of his peculiar but oddly charismatic hero.
A welcome supplement from an underrated artist.Pub Date: May 1, 2009
ISBN: 978-1-59376-231-5
Page Count: 208
Publisher: Soft Skull Press
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 1, 2009
Categories: FANTASY
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A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 11, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Categories: GENERAL SCIENCE FICTION & FANTASY | FANTASY
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PERSPECTIVES
An almost-but-not-quite-great slavery novel.
12
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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.
In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.
An almost-but-not-quite-great slavery novel.Pub Date: Sept. 24, 2019
ISBN: 978-0-399-59059-7
Page Count: 432
Publisher: One World/Random House
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: July 15, 2019
Categories: GENERAL SCIENCE FICTION & FANTASY | HISTORICAL FICTION | FANTASY | HISTORICAL FANTASY
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