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THE CONTROL ROOM

HOW TELEVISION CALLS THE SHOTS IN PRESIDENTIAL ELECTIONS

A CBS veteran’s look at television coverage of presidential elections is more entertaining than reflective. As executive political director of CBS News, Plissner (now retired) was in a very good position to observe the impact of television on politics. While he concedes that impact has been major—no surprise there—he argues that those on the political left and right “who worry about this worry too much.” Employing his insider’s perspective to unveil the factors that determined what went on the air, Plissner offers a pastiche of media history, first-person accounts, and second-hand reporting very much in the television tradition of “just the highlights, please.” Nevertheless, these snippets are revealing as well as amusing, effectively portraying television’s coverage over the years of party conventions, the election-night race to call the winner, election-year polling, presidential debates, and the nightly news. The competition among networks is always at the forefront, with only the financial bean-counters reining in efforts to score journalistic coups and come out on top in the ratings. We also see a progression in the relationship between the media and politicians. Party conventions, for example, initially involved gavel-to-gavel coverage, which produced conventions increasingly managed for television consumption, which resulted in boring conventions that receive decreased coverage because there is no news. This example suggests a problem with Plissner’s belief that we need not worry about the medium’s impact on politics. Even granting his contention that television’s election-coverage agenda is commercial rather than political, the reader may still wonder why the author believes media bias is therefore benign. Indeed, the idea that television’s power is wielded without regard to its considerable political impact is most discomfiting; more introspection on this thorny subject would have been comforting. Not a book to pick up for insightful analysis, but the stories will amuse most readers.

Pub Date: May 1, 1999

ISBN: 0-684-82731-X

Page Count: 240

Publisher: Free Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1999

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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