Next book

DOCTOR REFURB

A delightfully tongue-in-cheek, if sometimes confusing, time-hopping satire.

A Montana couple use time travel and new alien enhancements to save Earth from inevitable destruction in this SF novel.

The voice in surgeon Dr. Stefan Westin’s head turns out to be real. Rodney, hailing from another galaxy, gives Stefan the chance to ensure that the world doesn’t become extinct in a mere 200 years. Stefan, joined by his girlfriend, Tara Kramer, chooses people—living and dead—for the aliens to deport to a depository planet. Bumping a couple of American presidents from the timeline, for example, boosts the environment and prevents a number of Covid-19 deaths. But for each deportation, the couple must sacrifice a body part, which Rodney can replace with an often superior, refurbished one. This comes in handy when the aliens send Stefan and Tara on a time-travel mission. Apparently, Ralph, one of the aliens, has gone rogue. Hiding in various human bodies throughout history, he has been committing “evil in the name of Christianity.” The couple travel through time to find whatever body Ralph may be using and stop him with a “trap-capsule.” Essen’s political commentary forgoes subtlety. Stefan and Tara go after Republicans and conservative media outlets like Fox News, while Ralph’s atrocities revolve around hateful so-called Christians or groups. But the author offsets the biting satire with welcome humor that features not-always-reliable Rodney, who tends to put the couple “on hold” while he confers with higher-ups or checks out something. These comedic moments prove much stronger than the SF elements. While Essen wisely keeps Rodney’s planet and species a relative mystery, the time-travel logic unravels as the story progresses. For example, erasing people from history readjusts the timeline, but that doesn’t explain a significant turn in the final act—despite Stefan trying to spin theories. Nevertheless, the tale’s wrap-up is effective and leaves room for a sequel.

A delightfully tongue-in-cheek, if sometimes confusing, time-hopping satire.

Pub Date: Sept. 12, 2022

ISBN: 978-1-73443-037-0

Page Count: 244

Publisher: Encante Press LLC

Review Posted Online: Sept. 15, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 532


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 532


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

Next book

WHAT WE CAN KNOW

A philosophically charged tour de force by one of the best living novelists in English.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

A gravely post-apocalyptic tale that blends mystery with the academic novel.

McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.

A philosophically charged tour de force by one of the best living novelists in English.

Pub Date: Sept. 23, 2025

ISBN: 9780593804728

Page Count: 320

Publisher: Knopf

Review Posted Online: May 24, 2025

Kirkus Reviews Issue: July 1, 2025

Close Quickview