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OCTAVO

A thoroughly enjoyable blend of history and drama.

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A scientist and an art historian discover a document of great significance to art history and scheme to steal it to ensure it becomes public in Neumeier’s novel.

Mr. Dickson, a wealthy businessman, hires two experts—Artie, a retired art historian, and Scarlett, a young biophysicist—to authenticate a cache of art pieces found in an old townhouse in Northern Italy. They excitedly discover a painting which seems to date to the early 16th century and to be the only extant portrait of Leonardo da Vinci, an astonishing find. Additionally, the two unearth a manuscript likely written by Francesco de Melzi—the last known pupil of da Vinci, and the painter of his portrait—that provides extraordinary insights into one of the world’s greatest artists. The memoir also recounts a gruesome murder committed at the famous Aldine Press, just in advance of da Vinci’s plans to have some of his notebooks published there, and da Vinci’s brilliant attempt to solve it. (In this engrossing novel, da Vinci emerges as a “super-sleuth,” among other things, a man blessed with the “skill to untangle the most diabolical of mysteries.”) Artie and Scarlett—these are not their real names—decide that such a rare and precious trove of art history can’t be left in the hands of “just another rich guy with a collection erection” who will almost certainly lock it in some inaccessible dungeon for his private delectation. Artie and Scarlett change their names, don disguises, and contact Peter Chenoweth of Harker Publishing in the hope the book will enter the public domain. However, Mr. Dickson learns of their gambit and threatens Harker with legal action…and he might be capable of much worse.

The research process necessary to compose this marvelously erudite novel must have been daunting—the narrative is as stunningly meticulous as it is expansively wide, and the novel is worth reading just for the scholarship and the gripping depiction of da Vinci. This is much more, though, than an academic exercise in art history. Neumeier has created a genuinely captivating story, a drama that is utterly mesmerizing and thrums with suspense. The characters are vividly realized, brimming with virtues, talents, and flaws—Scarlett has a “a burning desire for justice,” but is also difficult, caustic, and agonizingly arrogant. She can be terribly close-minded and dogmatic, but she is also profoundly sensitive to the clarion call of beauty. “I’m a scientist with a degree in physics and a master’s in biophysics. Suffice it to say, I have zero patience for self-delusion or magical thinking. I don’t believe in all that afterlife stuff. But I do hope, as Leonardo did, that I can weave a cocoon of great beauty and usefulness before disappearing into the infinite sky on painted wings.” It is a testament to the author’s originality that this is a very difficult novel to neatly categorize—it is a murder mystery, a crime drama, a tutorial in art history, and more. Readers with an interest in art, and likely those without but who are open to art’s charms, will find this novel to be delightfully beguiling.

A thoroughly enjoyable blend of history and drama.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: March 21, 2025

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SALTWATER

A feisty storm of Greek tragedy headlined by three very modern women.

On the isle of Capri, Helen Lingate seeks revenge on the people responsible for her mother’s death 30 years earlier—her own family.

When Sarah Lingate fell to her death on Capri in 1992, she left behind a 3-year-old daughter, Helen, and a legacy as a gifted playwright; her favorite necklace of golden snakes was lost to the sea. Thirty years later, Helen, chafing at the restrictions she’s grown up under as a member of the old-money Lingate family, hatches a plan with her uncle Marcus’ assistant, Lorna Moreno, to blackmail her uncle and her father with that same necklace, which mysteriously entered her possession a few months before. The novel begins on Capri just after Lorna disappears, and then traces her steps from 36 hours earlier. Interweaving chapters from the points of view of Helen, Lorna, and Sarah—as well as, later, a few others—we learn how Sarah gradually became stifled by the constant pressure of keeping up appearances until she became inspired to write a play, Saltwater, that was a not-so-thinly veiled tell-all revealing dark Lingate family secrets. It was shortly after this that she fell to her death. The loss of her mother has come to define Helen’s life, and if she can use the necklace as leverage to escape her family, and maybe learn the truth along the way, she’ll take the risk. Lorna’s motives are both murkier and more straightforward—she’s never had money, and she’s got a chip on her shoulder about it, so splitting 10 million euros with Helen sounds like a way to discard her past and start fresh. These strong, conniving women drive the drama and the narrative, and they are captivating enough that as twist after twist begins to unfurl, the novel still feels character-driven. The end—well, the end shocks. And it’s well earned. By the time the sun sets on the gorgeous excess and rugged coast of Capri, lives will have been destroyed.

A feisty storm of Greek tragedy headlined by three very modern women.

Pub Date: March 25, 2025

ISBN: 9780593875551

Page Count: 336

Publisher: Ballantine

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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  • New York Times Bestseller

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HOPE RISES

Filled with action, violence, and more twists than a bag of pretzels.

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Second of the Walter Nash thrillers—following Nash Falls (2025)—in which the remade hero seeks vengeance.

Due to urgent circumstances, Nash has bulked himself up to become the “muscled and tatted fighting machine” now known as Dillon Hope. His antagonist is Victoria Steers, a global drug dealer who wants him dead. Not realizing his new identity, she enlists Hope to free her mother, Masuyo, from a prison in Myanmar. As an incentive, she shoots one of her associates and threatens to frame Hope for the murder unless he complies. She also wants him to find Nash. He in turn wants to kill Victoria to avenge the death of his innocent daughter, Maggie. “If I go down,” he muses, “I’m taking others with me. Starting with Victoria Steers.” He learns that Victoria had killed all her siblings to eliminate business competition. But as heartless as Victoria is, her mother, Masuyo, is even worse. In league with the Chinese government in a perverse plan to kill as many Americans as possible through fentanyl overdose, she shows contempt for Victoria for her perceived weaknesses. Readers won’t find many happy family relationships here: mother-daughter, father-son, husband-wife—all fraught. Hope’s employer, who accompanies him to Myanmar, is a billionaire chief executive with a dodgy past (i.e., probably killed his father). And there’s a mega-billionaire with an astronomical IQ and ditch-deep morals who, putting it mildly, does not have America’s best interests at heart. As a teenager, he’d defeated two world chess champions; as an adult, he regards his dealings with the world in terms of master chess moves. Only one character seems truly decent and credible—Hiroko, Victoria’s former nanny and lifelong companion, who provides Hope with valuable insights into the Steers’ background, which is partly Chinese. Searing grudges, simple evil, and not-so-simple misunderstandings carry the cast through this complex, action-packed plot. This sequel ties out the loose ends dangling in Nash Falls, which would be helpful to read first. To get to the requisite ending, though, Baldacci takes pains to surprise the reader. It works but often feels forced.

Filled with action, violence, and more twists than a bag of pretzels.

Pub Date: April 14, 2026

ISBN: 9781538758021

Page Count: 416

Publisher: Grand Central Publishing

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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