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The Children Who Time Lost

An often involving but ultimately uneven sci-fi tale.

A sci-fi novel about the pressures of motherhood that transforms into an action thriller about an alien invasion.

In 2043, Rachel Harris is one of the only women who’s been able to give birth naturally in nearly 40 years. Worldwide infertility has made other women unable to conceive children of their own. But when Rachel’s child dies in an accident, her friends patronize her, her husband neglects her, and the world can’t stop talking about her. However, most people don’t know that government doctors have performed countless medical experiments on her in the search for an infertility cure; it’s taken a tremendous toll on her body and made her addicted to special medication. Meanwhile, as Rachel struggles to make sense of her loss, desperate couples play the Worldwide Lotto in hopes of winning a child from the future through the use of time travel. Rachel’s husband enters both their names and gets lucky on the first try, but soon, Rachel starts to uncover a conspiracy regarding the infertility problem. During her investigation, when she breaks the law by watching a video message from the future, the government threatens to sentence her husband, friends and possibly her new adopted son, Dylan, to death. Soon, she must return to the year 2013 to expose an alien menace and grapple with whether her convictions are worth sacrificing a second chance at motherhood. Amazon (The Corin Chronicles: Volume 1: The Light and the Dark, 2012, etc.) creates a intriguing character in Rachel, whose many misfortunes and desires will likely elicit readers’ sympathy and interest. But the engaging sci-fi premise, told from a woman’s perspective, eventually turns into a clichéd thriller, comprised of multiple action sequences, bland dialogue and supporting characters that lack Rachel’s complexity. That said, the book does have a resonating beginning, and its final chapters will surprise readers with a perplexing ending that may make them re-examine their ideas of motherhood and identity.

An often involving but ultimately uneven sci-fi tale.

Pub Date: Oct. 23, 2013

ISBN: 978-0957624429

Page Count: 518

Publisher: Corinthians Publishing

Review Posted Online: Dec. 4, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CRASH

Soapy, suspenseful fun.

A remembered horror plunges a pregnant woman into a waking nightmare.

Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.

Soapy, suspenseful fun.

Pub Date: Jan. 28, 2025

ISBN: 9781464227325

Page Count: 384

Publisher: Poisoned Pen

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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