Keane’s satisfying storytelling is the takeaway.
In a New York commuter town during the week of an epic blizzard, a married couple’s crisis comes to a head.
Is the Half Moon—a popular bar in Gillam—waxing or waning? And what about owner Malcolm Gephardt’s marriage? The bar has been struggling since Malcolm fulfilled his dream and bought both the business and the building, the latter against the advice of his lawyer wife, Jess. But Malcolm, 45, “handsome and charming and people liked him instantly,” who worked at the bar for 24 years before buying it, has always wanted to run the place and also feels that the expense of purchasing his baby somehow compensates for the fortune Jess has spent on IVF in pursuit of her own dream of fertility. The couple’s history is capably delivered in nonsequential descriptions and flashbacks from both perspectives. They’ve been together for 15 years, loved each other passionately from the start, married because of Jess’ pregnancy, which failed, yet lost their way in more recent times, leading Jess to move out some four months earlier. Now, as the heavy snow falls, Malcolm learns she has been seen with Neil Bratton, a recently arrived, divorced lawyer with three children and a house at the posh end of town. Family, commitment, work, and class all underpin this sympathetically drawn portrait of a stuttering marriage and also its wider community of parents, friends, and employees, although the emotional territory is less visceral than in Keane’s bestselling Ask Again, Yes, also set in Gillam. Subplots involving a missing Half Moon regular and the threatening visits of a man pressuring Malcolm to repay his debts interleave developments in the marriage. But it’s the contemplation of a meaningful relationship after early dreams have faded that best showcases Keane’s inviting empathy, even if the ending is too neatly resolved.
Keane’s satisfying storytelling is the takeaway.Pub Date: May 2, 2023
ISBN: 9781982172602
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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