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THE WALKING PEOPLE

Sometimes heart-wrenching, sometimes joyous and tender—one of those stories that lingers in the reader’s memory as a lived...

From 2005 Pushcart Prize nominee Keane, a richly moving first novel about Irish immigration to America in the late 20th century.

As an 11-year-old child in the 1950s, Michael Ward meets Greta and Johanna Cahill when his gypsy mother dies at the Cahills’ doorstep in isolated western Ireland. Though fascinated, the little Cahill girls consider the caravan of “travelers” less than respectable, although the Cahills themselves are impoverished, living off the salmon they poach from a neighboring landowner. Skinny, nearsighted eight-year-old Greta is considered slightly loopy, especially in contrast to older assertive Johanna, but her life is almost idyllic until her father dies while caught poaching. When adolescent Michael, rejecting his father’s gypsy lifestyle, runs away to the Cahills, Johanna makes him part of her secret plan to immigrate to America. Afraid that Ireland offers no future, Johanna’s mother approves of the move and sends Greta along against her wishes. Ironically, in New York the girls’ roles reverse. Pregnant with Michael’s baby although she does not love him, Johanna becomes depressed and withdrawn while Greta thrives, landing a good job at Bloomingdales. As Greta teaches dependable, streetwise Michael to read, they fall innocently in love. Shortly after baby Julia is born, Johanna runs away, leaving Greta and Michael to raise Julia with the children they eventually have together. Never formally married, they share the ups and downs of a loving working-class life together. At first resentful, then fearing that Johanna will claim Julia and take her away, Greta avoids seeing Johanna or the rest of her family. Having learned the truth, Julia orchestrates a family reunion to coincide with Michael’s retirement (and the painful onset of early Alzheimer’s). Keane gives her characters range and complexity so that there are no victims or villains.

Sometimes heart-wrenching, sometimes joyous and tender—one of those stories that lingers in the reader’s memory as a lived experience.

Pub Date: May 20, 2009

ISBN: 978-0-547-12652-4

Page Count: 392

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2009

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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