bookshelf

THE FOURTH COAST

Name: THE FOURTH COAST
Author: Mary Blocksma
ISBN: 0-14-017881-3

EXPLORING THE GREAT LAKES COASTLINE FROM THE ST. LAWRENCE SEAWAY TO THE BOUNDARY WATERS OF MINNESOTA

by Mary Blocksma ‧ RELEASE DATE: March 14, 1995

bookshelf

A definitive guide and then some to what seems to be every mile of the more than 5,000 traveled by Blocksma (Naming Nature, not reviewed) along the US side of the Great Lakes. The author's comprehensive narration of her three-month solo expedition is not in the least restricted to one unifying theme. Camping enthusiasts will discover which state parks have open sites and which are wooded (mosquitoes are ubiquitous at all of them); geology buffs can read about sand dunes, rip currents, glaciers, and the five types of wetlands; the reader learns that the lakes saw some 50 shipwrecks a day in the late 19th century and that Sandusky, Ohio, once had the largest roller coaster in the Midwest. The indefatigably curious Blocksma tours a sewage treatment plant on Lake Erie and a nuclear power facility on Lake Michigan; is warned away by guards at the gate of an exclusive resort in Harbor Springs, Mich.; visits the birthplace of the dune buggy; and parasails over Grand Traverse Bay. At a lunch counter near Green Bay, Wis., she discovers that more than 12,000 people are on the Packers season-ticket waiting list. At times, Blocksma's encyclopedic prose threatens to overwhelm the casual reader. She is fond of nautical measurements and a compulsive maker of lists, noting everything from fish species to park fees. Yet there is something agreeable about her wide-eyed excitement over this abundance of minutiae and arcane detail; her attention to statistics and description at times echoes John McPhee. Even more praiseworthy is her tenacity, as she camps alone and interviews a dizzying number of park rangers, fishermen, sailors, historians, nuclear-plant workers, hoteliers, and seemingly anyone else within reach—though some of the conversations are amazingly mundane. Blocksma contributes mightily to our understanding of a vital section of the continent.

Pub Date: March 14, 1995

ISBN: 0-14-017881-3

Page Count: 304

Publisher: Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

Categories:

GENERAL NONFICTION

- BOOK REVIEW
TICKET TO THE TWENTIES
by Mary Blocksma & illustrated by Susan Dennen

- BOOK REVIEW
YOO HOO, MOON!
by Mary Blocksma & illustrated by Patience Brewster

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.