There is a timeless quality to this contemporary story about a Kenyan boy and his mother stretching their food to feed all their friends. As he walks to market with his mom, Adika invites everyone he sees to a pancake dinner, but Mama Panya is worried. She needn’t be, because all the guests come bearing food. To accompany the few pancakes, there is milk and butter from the Maasai children’s cattle, fish caught by the old man, Mzee Odolo, flour for another day, and salt and cardamom. Rafiki Kaya even brings her mbira, her thumb piano. The old tradition of sharing all one’s food with others works again. With the repetition of the phrase “a little bit and a little bit more,” the folkloric feeling intensifies. The watercolor paintings are filled with details of the countryside and the marketplace, although the naïve portrayal of the adults and children tends to be a bit broad. With a recipe for spicy pancakes, information about local animals and village life in Kenya, some general facts and a map, this story will be a welcome addition to a school unit as well as traditional storytime. (Picture book. 6-8)
Pub Date: April 1, 2005
ISBN: 1-84148-139-4
Page Count: 40
Publisher: Barefoot Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2005
Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow,...
Can Gerald and Piggie’s friendship withstand the friendly overtures of Brian Bat?
When Snake informs Gerald that Piggie is playing with Brian Bat, he is at first complacent. Brian is “nice,” he observes; Snake concurs—after all, he says, “Brian is my Best Friend!” Their mutual reflection that Piggie and Brian “must be having a super-duper fun time!” turns, however, to paranoia when they realize that if their best pals “are having that much fun together, then… / …maybe they do not need us” (that last is printed in teeny-tiny, utterly demoralized type). Gerald and Snake dash/slither to put an end to the fun. Their fears are confirmed when the two new buddies tell them they have “been playing BEST FRIEND GAMES!”—which, it turns out, means making drawings of their respective best friends, Gerald and Snake. Awww. While the buildup to the friends’ confrontation is characteristically funny, there’s a certain feeling of anticlimax to the story’s resolution. How many young children, when playing with a new friend, are likely to spend their time thinking of the friends that they are not playing with? This is unfortunate, as the emotions that Gerald and Snake experience are realistic and profound, deserving of more than a platitudinous, unrealistic response.
Everything that readers have come to love about the Elephant & Piggie books is present—masterful pacing, easy-to-follow, color-coded speech bubbles, hilarious body language—except an emotionally satisfying ending. (Early reader. 6-8)Pub Date: June 3, 2014
ISBN: 978-1-4231-7958-0
Page Count: 64
Publisher: Hyperion
Review Posted Online: May 3, 2014
Kirkus Reviews Issue: May 15, 2014
Patchy work, both visually and teleologically.
The sultana of high-fructose sentimentality reminds readers that they really are all that.
Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.
Patchy work, both visually and teleologically. (Picture book. 6-8)Pub Date: Sept. 1, 2015
ISBN: 978-1-250-05626-9
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
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