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ALL BUT THE WALTZ

ESSAYS ON A MONTANA FAMILY

In her first essay collection, Blew (a story collection, Runaway, 1990—not reviewed) joins the top echelon with 11 virtuoso pieces on life and death on the Montana Plains. Blew writes of growing up on a hard-scrabble ranch; her father had her on horseback working cattle at age seven. His dream was that his two girls would become his partners in the ranch, but Blew's mother laid down the law that they must go to school. After Blew went to college and didn't return, her father wouldn't speak to her for years. One day, he told his wife he was going to the mine for a load of coal and drove off in his pickup to die. He was found, heart stopped, head cradled in arm, on a ridge overlooking a bend in the Powder River. Elsewhere, Blew tells of her maiden aunt Imogene, who began teaching in one-room schoolhouses in 1927. The lone women teachers were expected to carry their own coal, start the schoolhouse stove in 30-degrees-below-zero winters and live in a one-room teacherage behind the school with only a kerosene lamp and a bucket of spring water. In their isolated posts, they were vulnerable to rape. When ``the boys'' came for her, she ran them off with a rifle. Blew also speaks of the MÇtis- -buffalo-chasing descendants of French fur traders and Cree women; Hutterites—a Mennonite-like sect called ``fur-bearing Christians'' because of their beards; Japanese railroad workers—so scorned that, in a history for the 1988 centennial celebration of statehood, the 1888 census of donkeys was listed but any reference to the substantial 1888 population of Japanese omitted. Surrounding all are the vast, lonely plains: sagebrush and mirages and blue buttes. When Blew's great-aunt was born, cowboys rode for miles to see her, so starved were they for the sight of a baby. Subtle prose that transports to a magical place, dissolving the line between memory and the present. A superbly realized vision.

Pub Date: Sept. 1, 1991

ISBN: 0-670-83108-5

Page Count: 208

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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