by Mary Clearman Blew ‧ RELEASE DATE: Sept. 1, 1991
In her first essay collection, Blew (a story collection, Runaway, 1990—not reviewed) joins the top echelon with 11 virtuoso pieces on life and death on the Montana Plains. Blew writes of growing up on a hard-scrabble ranch; her father had her on horseback working cattle at age seven. His dream was that his two girls would become his partners in the ranch, but Blew's mother laid down the law that they must go to school. After Blew went to college and didn't return, her father wouldn't speak to her for years. One day, he told his wife he was going to the mine for a load of coal and drove off in his pickup to die. He was found, heart stopped, head cradled in arm, on a ridge overlooking a bend in the Powder River. Elsewhere, Blew tells of her maiden aunt Imogene, who began teaching in one-room schoolhouses in 1927. The lone women teachers were expected to carry their own coal, start the schoolhouse stove in 30-degrees-below-zero winters and live in a one-room teacherage behind the school with only a kerosene lamp and a bucket of spring water. In their isolated posts, they were vulnerable to rape. When ``the boys'' came for her, she ran them off with a rifle. Blew also speaks of the MÇtis- -buffalo-chasing descendants of French fur traders and Cree women; Hutterites—a Mennonite-like sect called ``fur-bearing Christians'' because of their beards; Japanese railroad workers—so scorned that, in a history for the 1988 centennial celebration of statehood, the 1888 census of donkeys was listed but any reference to the substantial 1888 population of Japanese omitted. Surrounding all are the vast, lonely plains: sagebrush and mirages and blue buttes. When Blew's great-aunt was born, cowboys rode for miles to see her, so starved were they for the sight of a baby. Subtle prose that transports to a magical place, dissolving the line between memory and the present. A superbly realized vision.
Pub Date: Sept. 1, 1991
ISBN: 0-670-83108-5
Page Count: 208
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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