Next book

DREAMERS OF THE DAY

An inspired fictional study of political folly.

A remarkably vivid account of a woman’s accidental witness to history as she encounters Churchill and T.E. Lawrence in Cairo, where in 1921 they redrew the map of the Middle East.

Russell (Children of God, 1998, etc.) unites a dog-toting spinster touring the Holy Lands with a small but significant dot on history’s timeline, creating an analysis of our current troubles in Iraq. Agnes Shanklin, long dead and narrating from a disappointingly dull afterlife, lived an unremarkable existence until her late 30s, when the great influenza epidemic killed her mother and siblings. Left alone with an inheritance, Agnes makes an uncharacteristically impulsive decision: She books a tour to Egypt and the Holy Lands. With newly bobbed hair and gauzy dropped-waist dresses, former ugly duckling Agnes leaves America a fashionable woman of means. On her first day in Cairo, she and her dachshund Rosie are banned from their hotel but are saved by a chance meeting with T.E. Lawrence and redirected to the more dog-friendly Continental. There she meets Karl Weilbacher, a German-Jewish spy who falls for Rosie and charms Agnes. Agnes spends her holiday in two camps: She’s swept away on often dangerous excursions by Lawrence, Churchill and Gertrude Bell, and she engages in quiet, intelligent strolls with Karl the spy, eager to hear about Agnes’s new friends. Agnes is no fool. She knows Karl has more than a passing interest in the goings on at the conference, but she’s also a realist, and she sees no need to protect the interests of British imperialists. Anyway, this may be her last chance for love. At the end of the conference, arbitrary lines are drawn to create Iraq; Palestine is soon to be a Jewish homeland; and Karl rather presciently observes that “black seeds” are being sown. Russell triumphs on many levels: She crafts a solid interpretation of the event, creates in Agnes an engaging narrator and, in no small sense, offers a fine piece of travel writing as we follow Agnes down the Nile.

An inspired fictional study of political folly.

Pub Date: March 1, 2008

ISBN: 978-1-4000-6471-7

Page Count: 272

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

Categories:

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • National Book Critics Circle Winner


  • National Book Award Finalist

Next book

BILLY LYNN'S LONG HALFTIME WALK

War is hell in this novel of inspired absurdity.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • National Book Critics Circle Winner


  • National Book Award Finalist

Hailed as heroes on a stateside tour before returning to Iraq, Bravo Squad discovers just what it has been fighting for.

Though the shellshocked humor will likely conjure comparisons with Catch-22 and Slaughterhouse Five, the debut novel by Fountain (following his story collection, Brief Encounters with Che Guevara, 2006) focuses even more on the cross-promotional media monster that America has become than it does on the absurdities of war. The entire novel takes place over a single Thanksgiving Day, when the eight soldiers (with their memories of the two who didn’t make it) find themselves at the promotional center of an all-American extravaganza, a nationally televised Dallas Cowboys football game. Providing the novel with its moral compass is protagonist Billy Lynn, a 19-year-old virgin from small-town Texas who has been inflated into some kind of cross between John Wayne and Audie Murphy for his role in a rescue mission documented by an embedded Fox News camera. In two days, the Pentagon-sponsored “Victory Tour” will end and Bravo will return to the business as usual of war. In the meantime, they are dealing with a producer trying to negotiate a film deal (“Think Rocky meets Platoon,” though Hilary Swank is rumored to be attached), glad-handing with the corporate elite of Cowboy fandom (and ownership), and suffering collateral damage during a halftime spectacle with Beyoncé. Over the course of this long, alcohol-fueled day, Billy finds himself torn, as he falls in love (and lust) with a devout Christian cheerleader and listens to his sister try to persuade him that he has done his duty and should refuse to go back. As “Americans fight the war daily in their strenuous inner lives,” Billy and his foxhole brethren discover treachery and betrayal beyond anything they’ve experienced on the battlefield.

War is hell in this novel of inspired absurdity. 

Pub Date: May 1, 2012

ISBN: 978-0-06-088559-5

Page Count: 320

Publisher: Ecco/HarperCollins

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

Categories:
Next book

THE SEVEN AGES

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Pub Date: April 9, 2001

ISBN: 0-06-018526-0

Page Count: 80

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

Categories:
Close Quickview