Bumpy text saved by touching illustrations.
A child imagines painting love that rains down like hearts touching the world.
With a paintbrush aimed at the sky, a child streams pink, purple, and yellow beams from a wand. Bright red hearts flutter and fall, touching everything the child sees: hills, trees, zoo animals, a group of musicians in the park, birds in a nest, and of course the child and caregiver. The book has a meaningful message about the reach and spread of acts of love, with the child continuing to find and share love. The final two lines of each group of four rhyme, but this pattern makes for a disappointingly awkward read-aloud. Still, the illustrations, featuring people of varying skin tones, hair styles, ages, and abilities, are a delight. The child is drawn with light brown skin and dark brown hair, while the caregiver has brown skin and black hair. The tricolored ribbon of love is a consistent presence throughout the book, and the hearts appear like butterfly wings. This representation of love really brings the concept of “painting love” to life in a way that little readers will be able to visualize. The final images of the child cradling the globe and snuggling with the caregiver bring home the idea of just how much love we hold and how far it can reach if we share it.
Bumpy text saved by touching illustrations. (Picture book. 2-4)Pub Date: Nov. 5, 2024
ISBN: 9781250828606
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Treacle drips from every page. Find self-esteem elsewhere.
The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.
The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.
Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)Pub Date: Dec. 11, 2018
ISBN: 978-0-7636-9116-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
It’s nothing new, but it’s also clearly heartfelt.
A love song from parents to their child.
This title will seem quite similar to the many others about parents’ deep love for their children. The text is wholly composed of first-person declarations of parental love, and it’s juxtaposed with illustrations of the child with one or both parents. It’s not always clear who the “I” speaking is, and there are a few pages that instead use “we.” Most sentences begin with “I love you more” phrasing to communicate that nothing could undermine parental love: “I love you more than all the sleepless nights…and all the early, tired mornings.” The accompanying pictures depict the child as a baby with weary parents. Later spreads show the child growing up, and the phrasing shifts away from the challenges of parenting to its joys and to attempts to quantify love: “I love you more than all the blades of grass at the park…and all the soccer that we played.” Throughout, Bell’s illustrations use pastel tones and soft visual texture to depict cozy, wholesome scenes that are largely redundant of the straightforward, warm text. They feature a brown-haired family with a mother, father, and child, who all appear to be white (though the father has skin that’s a shade darker than the others’).
It’s nothing new, but it’s also clearly heartfelt. (Picture book. 2-4)Pub Date: Aug. 14, 2018
ISBN: 978-1-4998-0652-6
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
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