Based on Jacobs's autobiography and presented as letters she might have written from 1825, at age 12, until she escaped north in 1842, a moving evocation of the tragedies inflicted by slavery. Harriet pours out her story as letters to dear ones she has lost. She writes to her dead mother about the family's division after one mistress dies, failing to honor her promise to set Harriet free; to her father when she's denied permission to attend his burial; to the man she loves after he goes north, telling him of her decision to escape the attentions of her master by accepting those of a kinder white man who, though he later succeeded in freeing their children and sending them north, failed to ensure the education he promised them. Meanwhile, Harriet—setting a false trail—hid during the years her children grew from toddlers to young adults, in a tiny space in her grandmother's cabin, as she tells an uncle who's also escaped. The letters here end with her own journey north; a final chapter summarizes the sorrows of the rest of her long life, as well as her many achievements—notably writing and publishing, in 1861, a seminal book on the sexual abuse of slaves. As explained in an excellent note, even the misspellings here are authentic, modeled on real letters, including some from Harriet's brother. The style Lyons creates for Harriet—a luminous character, gentle and resolute—is graceful and direct. A compelling story, then, true in outline and in spirit. Bibliography; family tree; glossary. (Fiction. 12+)
Pub Date: Oct. 30, 1992
ISBN: 0-684-19446-5
Page Count: 192
Publisher: Scribner
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Nov. 1, 1992
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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 16, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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