Williams delivers a complex tale about a complex disease, and by sharing a narrative rich in detail, personalities, and New...
Who would have thought a book about being diagnosed with stage 4 melanoma could be exhilarating and entertaining?
Salon.com senior staff writer Williams (Gimme Shelter, 2009) describes going to her dermatologist to check out a scab on her scalp. A biopsy indicated malignant melanoma that required immediate surgery that would leave a permanent bald spot. But it would also begin a lifesaving relationship with Memorial Sloan Kettering doctors. The spoiler at the beginning assures readers that instead of the usual monthslong life expectancy for stage 4 melanoma patients, the author is currently cancer free, even after her disease had progressed to metastases affecting her lungs and a spot on her back. Married and in her 40s with two daughters when she was diagnosed in 2010, Williams experienced all the anxiety, fear, anger, and sadness that come with such a diagnosis, but the writing never sinks to weepiness. The author was buoyed by a strong personality and a supporting cast of family and friends, including one whose ovarian cancer serves as a powerful subtext that cancers often kill. What saved Williams was experimental immunological therapy. She entered a phase 1 clinical trial using a combination of drugs designed to thwart the ability of cancer cells to inhibit the body’s immune system from attacking those cells. Usually these trials are conducted to check drug toxicity and dosages. In this case, the drugs helped so many patients that trials for other cancers are now in progress, giving a boost to immunotherapy research in general. The author explains it all: the science, the scans, the constant blood draws, the side effects, the stigma, the guilt of getting sick, the guilt of getting better, the effects on others, including the friends who stop calling you, as well as the support groups she found so helpful.
Williams delivers a complex tale about a complex disease, and by sharing a narrative rich in detail, personalities, and New York scenes, she will ease the burdens of those immediately affected and inform others of progress in cancer research.Pub Date: April 26, 2016
ISBN: 978-1-4262-1633-6
Page Count: 304
Publisher: National Geographic
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
BOOK REVIEW
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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