A subtly creepy collection of stories culled from the experiences of a leading forensic anthropologist. Manhein describes her role as an expert witness as the laying out of her analysis to the jury without a lot of unexplained scientific jargon—the exact technique she employs in this account. While one of her goals seems to be teaching the public about the field of forensic anthropology, she never loses sight of her main intention, the spinning of a good story. The result is a rare, effective blend of entertainment and education. As we follow Manhein into the Louisiana bayou, where she digs up the levee to claim a five-year-old corpse, into industrial fires where victims bodies lie unrecovered, into cemeteries both old, newly discovered, and improvised, under houses, and into the forest to examine the bones of potentially mistreated horses, we learn about identifying bodies through dental X-rays, bone composition, and facial reconstruction. It is the same combination of the desire to solve puzzles and a fascination with death that led Manhein into her field and which also compels the reader to move quickly from one story to the next. Whether she is describing a human skull being pulled up in a fishing net or her nervousness at testifying in court, she maintains a grounded eye for detail and a compassionately detached style which renders the subject matter interesting rather than gruesome. While many of Manhein’s cases have attracted media attention, most notably the exhumation of the killer of Huey Long, the book primarily focuses on the much less glamorous side of the field—the identification of drowning victims sometimes years after their deaths, or the discovery that those bones in the yard belonged to the previous owner’s pet dog. Despite the morbid nature of her work, she loves what she does and communicates that enthusiasm in her absorbing harrative. (illustrations)
Pub Date: April 1, 1999
ISBN: 0-8071-2404-4
Page Count: 154
Publisher: Louisiana State Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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