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THE FAMILY MEDICI

Name: THE FAMILY MEDICI
Author: Mary Hollingsworth
ISBN: 978-1-68177-648-4

THE HIDDEN HISTORY OF THE MEDICI DYNASTY

by Mary Hollingsworth ‧ RELEASE DATE: March 6, 2018

A vital acquisition for anyone who studies the Renaissance and seeks the true role of the Medici in the history of Florence.

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A fascinating warts-and-all history of the rise and fall of the Medici.

Hollingsworth (The Borgias: History’s Most Notorious Dynasty, 2011, etc.) effectively debunks the myths surrounding this legendary family, from the first moneylenders who moved into Florence in the 13th century through the end of the dynasty in 1737. Throughout the centuries, the author amply shows, the Medici lied, cheated, inveigled, and sweet-talked their way into absolute diplomatic and political power. They built up their banking business through the generations, and it became the basis for the family wealth. The Medicis understood the power of local politics and used their money to control it until Florence was no longer a republic but rather a dictatorship. Some of the best elements of this eye-opening book are the casts of characters and their relationships, which begin each chapter. Since so many Medici shared the same first name, these lists are extremely helpful in keeping the players straight. Equally illuminating are the dozens of illustrations. A major event in the family’s history occurred in 1420, when Giovanni di Bicci relinquished control of the bank to his sons, Cosimo and Lorenzo, who, despite his later appellation of “Magnificent,” was an inexperienced playboy who lacked political acumen. His blatant embezzling, plus the decline of the economy, gave rise to the attacks of Savonarola on the materialism and corruption of his administration. Hollingsworth also points out that Florence was not the only important city during the Renaissance; Milan, Rome, Venice, Naples, and Mantua were also significant. Florence certainly profited from the architects, artists, and writers of the period, but the Medici’s use of those artists was for the greater glory of Medici, not Florence. The true builder, Cosimo I, came to power in 1544 and became the first Grand Duke of Tuscany. He grew the economy and city and laid the foundation for the persisting perception of Medici greatness.

A vital acquisition for anyone who studies the Renaissance and seeks the true role of the Medici in the history of Florence.

Pub Date: March 6, 2018

ISBN: 978-1-68177-648-4

Page Count: 528

Publisher: Pegasus

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 1, 2018

Categories:

HISTORY | WORLD | GENERAL HISTORY

- BOOK REVIEW
CATHERINE DE' MEDICI
by Mary Hollingsworth

- BOOK REVIEW
THE PRINCES OF THE RENAISSANCE
by Mary Hollingsworth

- BOOK REVIEW
THE CARDINAL’S HAT
by Mary Hollingsworth

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THE CARTOON HISTORY OF THE UNIVERSE II

VOLS. 8-13, FROM THE SPRINGTIME OF CHINA TO THE FALL OF ROME

by Larry Gonick ‧ RELEASE DATE: Oct. 1, 1994

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Imagine a collaboration between Arnold Toynbee and R. Crumb and you get a pretty good idea of Gonick's clever and ambitious comic book series. This volume should not be taken as some kind of Mel Brooksish joke. Gonick does his research and interprets his sources with scholarly care. Inspired by the educational comic books of Latin American artist RIUS, Gonick makes world history a blast— literally, with his predilection for onomatopoeic word balloons. In this second collection—the last left us with Alexander the Great schlepping toward Persia—Gonick takes us on a side tour through India and China. He integrates myth and history to establish the origins of sectarian conflict in India, and attends to migration patterns from the Middle East to China in order to explain the development of Buddhism and Confucianism. Dynamic intrigue and the threat of northern barbarians compete with periods of prolonged peace. This highly selective version of Chinese history, though full of diverting stories, will be a bit confusing to readers unfamiliar with the main players. Back in Rome, meanwhile, after the death of Alexander, the republic enters its period of glory, followed by the building of the empire. Problems of succession lead to lots of lurid anecdotes about perverse and insatiable emperors, violent entertainments, brutal conquests—all of which Gonick records with Mad-like irreverence. He equivocates, however, in telling the story of Jesus, ending up with an uneasy mix of canonical fact and outright heresy. His account of the historical rise of Christianity is superb and demonstrates an interesting parallel with China: In both cases alien cults from the edge of the empires eventually captured the capital cities. Gonick's humor is mostly visual and relies on the juxtaposition of comical images with his relatively sober text. Despite his lefty, multi-culty inclinations, Gonick maintains the high level of sophistication, skepticism, and just plain fun established by the first volume.

Pub Date: Oct. 1, 1994

ISBN: 0-385-42093-5

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1994

Categories:

GENERAL HISTORY | GENERAL GRAPHIC NOVELS & COMICS | WORLD | HISTORY

- BOOK REVIEW
HYPERCAPITALISM
by Larry Gonick & Tim Kasser illustrated by Larry Gonick

- BOOK REVIEW
THE CARTOON GUIDE TO CALCULUS
by Larry Gonick illustrated by Larry Gonick

- BOOK REVIEW
ATTACK OF THE SMART PIES
by Larry Gonick & illustrated by Larry Gonick

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THE RUSSIAN CENTURY

BIRTH OF A NATION: 1894-1994

by Brian Moynahan ‧ RELEASE DATE: Sept. 29, 1994

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A spectacular, startling, and sometimes downright grisly chronicle, in words and pictures, of a bloody and tumultuous period. Alongside a stunning battery of photographs scoured from archives and collections throughout the former Soviet empire, the vast majority of them unfamiliar, Moynahan (Comrades, 1992) unfolds a history short on depth but told in crisp, imagistic (not to say strongly opinionated) prose. To his great credit, he persistently strives to include not only the obvious historical milestones— wars, revolutions, terror, famine, and the like (every horseman of the apocalypse gallops across the tortured steppes)—but also some sense of the evolving everyday sensory and emotional realities of Russian life under czar, dictator, and infant democracy. In this, he's not only immeasurably aided but inevitably outshone by the pageant of superbly reproduced photographs to which every reader will be immediately drawn and which, highlighting the human figure at the expense of landscape, run the gamut from imperial family portraits and staged Party propaganda scenes to snatched samizdat documents of ghetto and gulag, to the innovative high art of Rodchenko. Behind the familiar official faces of the masters- -Rasputin's manic stare, Trotsky's compelling gaze, Stalin's sly squint, Yeltsin's pugnacious querulousness—and the distortions of official history, both amply evidenced here, the photos unearth a vast parade of their nameless subjects (and, more often then not, victims)—``ordinary'' workers, peasants, soldiers, priests, shopkeepers. Too often it's a gallery of the unquiet dead: These pages are as corpse-strewn as the history they record—slain in purges, pogroms, insurrections, invasions, by starvation or single bullet, piled high by roadsides, dumped into mass graves, even, most shockingly and indelibly, filleted on the dining table of famine-stricken peasants driven to cannibalism. No mere coffee-table ornament, but a historical document of great drama and unusual intensity.