Dense politics relieved by dazzling art.
A history of Renaissance Italy emphasizing the wealthy and powerful and the artists, scholars, and architects they patronized.
Italian Renaissance scholar Hollingsworth has written several books on this eventful era, and readers would be advised to read them and a few other general histories before tackling this lively but intensely detailed chronicle of that land in the two centuries after 1400. Even readers who recognize political names from this period—Borgia, Medici, Visconti, Sforza, D’Este—may be surprised to learn that each family may represent half a dozen individuals. Luckily, the pantheon of great artists, from da Vinci to Michelangelo, stand on their own, and the book includes beautiful illustrations of their works, with architecture enjoying equal billing as painting and sculpture. From the Middle Ages through unification in the 19th century, Italy consisted of a handful of medium-sized states (Venice, Milan, the Papal States, the Kingdom of Naples) and a bewildering collection of principalities and city-states, mostly in the north, whose leaders seemed preoccupied with cheating, fighting, and murdering each other, often joined by some highly pugnacious popes. “For the rulers of the minor states of northern Italy, survival in the ruthless world of Italian politics was a matter of luck and judgement,” writes the author. “Too small to rely on their own military strength to overcome the aggression of the major powers, they needed to develop more cunning strategies—not least shrewd diplomacy and fruitful family alliances—to outwit their enemies.” Hollingsworth astutely shows how, in an era before royalties, museums, and mass-market printing, artists either worked for the rich or starved. Fortunately, it was considered proper for an aristocrat to take an interest in cultural matters. Readers struggling to sort out who was who in interminable wars and intrigues will welcome the author’s frequent digressions into the lives and work of Renaissance Italy’s pantheon of brilliant artists.
Dense politics relieved by dazzling art.Pub Date: Jan. 5, 2021
ISBN: 978-1-64313-546-5
Page Count: 504
Publisher: Pegasus
Review Posted Online: Oct. 2, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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