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THE PRINCES OF THE RENAISSANCE

THE HIDDEN POWERS BEHIND AN ARTISTIC REVOLUTION

Dense politics relieved by dazzling art.

A history of Renaissance Italy emphasizing the wealthy and powerful and the artists, scholars, and architects they patronized.

Italian Renaissance scholar Hollingsworth has written several books on this eventful era, and readers would be advised to read them and a few other general histories before tackling this lively but intensely detailed chronicle of that land in the two centuries after 1400. Even readers who recognize political names from this period—Borgia, Medici, Visconti, Sforza, D’Este—may be surprised to learn that each family may represent half a dozen individuals. Luckily, the pantheon of great artists, from da Vinci to Michelangelo, stand on their own, and the book includes beautiful illustrations of their works, with architecture enjoying equal billing as painting and sculpture. From the Middle Ages through unification in the 19th century, Italy consisted of a handful of medium-sized states (Venice, Milan, the Papal States, the Kingdom of Naples) and a bewildering collection of principalities and city-states, mostly in the north, whose leaders seemed preoccupied with cheating, fighting, and murdering each other, often joined by some highly pugnacious popes. “For the rulers of the minor states of northern Italy, survival in the ruthless world of Italian politics was a matter of luck and judgement,” writes the author. “Too small to rely on their own military strength to overcome the aggression of the major powers, they needed to develop more cunning strategies—not least shrewd diplomacy and fruitful family alliances—to outwit their enemies.” Hollingsworth astutely shows how, in an era before royalties, museums, and mass-market printing, artists either worked for the rich or starved. Fortunately, it was considered proper for an aristocrat to take an interest in cultural matters. Readers struggling to sort out who was who in interminable wars and intrigues will welcome the author’s frequent digressions into the lives and work of Renaissance Italy’s pantheon of brilliant artists.

Dense politics relieved by dazzling art.

Pub Date: Jan. 5, 2021

ISBN: 978-1-64313-546-5

Page Count: 504

Publisher: Pegasus

Review Posted Online: Oct. 2, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

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Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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